{"title":"Arita \u0026 Hasami Ware","description":"\u003cp\u003ePorcelain from Arita and Hasami, the historic kiln towns of Saga and Nagasaki Prefectures, in production since the early 17th century. Hand-painted blue-and-white sometsuke (染付), Kakiemon-style overglaze enamel, and modern Hasami daily tableware from contemporary kilns and workshops.\u003c\/p\u003e","products":[{"product_id":"arita-bunzan-peony-mug","title":"Arita-yaki Yellow Peony Mug — Bunzan Kiln Hand-Painted Icchin Relief Porcelain","description":"\u003cp\u003eHand-painted Arita-yaki yellow peony mug from \u003cstrong\u003e文山窯 (Bunzan Kiln)\u003c\/strong\u003e, in Saga Prefecture. The body is wrapped in raised peony petals — built up using \u003cstrong\u003e一珍 (icchin)\u003c\/strong\u003e, a slip-piped relief technique that gives each petal a tactile, three-dimensional ridge. The scalloped 輪花 (rinka) petal-edged rim is finished with brushed gold; the interior and handle remain in clean white porcelain. The bright yellow + gold colorway is the supplier's original combination — a quiet departure from the indigo and red the kiln is best known for.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMade by\u003c\/strong\u003e Bunzan Kiln \/ Arita-yaki in Saga Prefecture, Japan, curated by ZenKiln\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eShips in 1–3 business days\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e🎨 About the Icchin Technique\u003c\/h3\u003e\n\u003cp\u003e一珍 (icchin) is a Japanese ceramic decoration method in which slip or glaze is piped onto the surface like a confectioner's icing — the line sits proud of the body and remains raised after firing. Running a fingertip across the petals, you can feel each outline as a thin ridge. It is a technique requiring steady hand control: the slip dries quickly, and the line cannot be retouched once laid down. Combined with the scalloped 輪花 (rinka) mouth, icchin gives this mug a 3-dimensional tactile quality that flat-printed floral mugs cannot match.\u003c\/p\u003e\n\u003ch3\u003e🌸 The Peony Motif\u003c\/h3\u003e\n\u003cp\u003eThe peony (牡丹 botan) is 百花の王 (\"king of flowers\") in East Asian decorative tradition — an emblem of prosperity, richness, and springtime auspice. Used historically on Arita iroe ware for ceremonial and gift settings, the peony's many-petaled silhouette pairs naturally with the icchin raised-relief technique, which lets each petal layer above the next.\u003c\/p\u003e\n\u003ch3\u003e🍵 Use\u003c\/h3\u003e\n\u003cp\u003eThe 280 mL capacity is a comfortable everyday tea or coffee size — larger than a Japanese yunomi, smaller than a Western latte mug. Handle is hand-pulled with a subtle inward curve; the body sits balanced on the foot ring without rocking.\u003c\/p\u003e\n\u003ch3\u003e✅ Dishwasher and Microwave\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDishwasher: SAFE\u003c\/strong\u003e (per supplier explicit disclosure 食洗機〇). Hand-wash recommended for longest gold-rim life.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrowave: NOT SAFE\u003c\/strong\u003e (per supplier explicit disclosure レンジ×) — the gold rim contains real metallic decoration that will spark in a microwave.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e💍 Hand-made Note\u003c\/h3\u003e\n\u003cp\u003eEach piece is decorated by hand. Slight differences in brushwork, peony placement, and gold finish are expected and part of the character of artisan Arita. Small dark spots may appear on the underside of the foot — these are an artifact of the glaze process (the foot is not glazed, so the body shows through) and are not flaws.\u003c\/p\u003e\n\u003ch3\u003e🎁 Gifting\u003c\/h3\u003e\n\u003cp\u003eEach mug arrives in its individual cardboard gift box with the supplier's daily-ware 「くらしの器」 label. Suitable as a tea-drinker's gift, an office-desk piece, or an addition to a small collection of contemporary Arita-yaki.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487576965350,"sku":null,"price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7506894308_pkkc.jpg?v=1774622197"},{"product_id":"arita-strawberry-teapot","title":"Arita Strawberry Teapot | Hand-Painted Porcelain Teapot, 250 ml","description":"\u003cp\u003eBring charm and warmth to your tea time with this hand-painted Arita porcelain teapot, decorated with a sweet raised strawberry motif. Crafted in Japan, this compact teapot combines everyday practicality with a playful, collectible design.\u003c\/p\u003e\n\u003cp\u003eThe rounded body feels soft and approachable, while the built-in tea strainer makes it easy to brew loose-leaf tea for one or two servings. The strawberry design uses a raised decorative technique that gives the surface a gently dimensional look and adds to its handmade appeal.\u003c\/p\u003e\n\u003cp\u003eMade in Japan and individually boxed, this teapot is a thoughtful choice for tea lovers, collectors of Japanese tableware, and anyone who enjoys charming fruit-themed ceramics.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487577161958,"sku":null,"price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7554840597_36tz.jpg?v=1774622198"},{"product_id":"arita-ko-imari-lidded-bowl","title":"Arita Ko-Imari Lidded Bowl | Japanese Porcelain Rice \u0026 Soup Bowl, 200 ml","description":"\u003cp\u003eBring timeless Japanese elegance to your table with this Arita\/Hasami porcelain lidded bowl in a classic Ko-Imari style. The richly painted red, blue, green, and gold decoration gives the piece a refined traditional presence, while the fitted lid helps keep food warm and visually elevated.\u003c\/p\u003e\n\u003cp\u003eThis bowl is ideal for rice, soups, ochazuke, small donburi, chawanmushi, and side dishes. The lid also helps reduce drying when food is stored in the refrigerator, and the lower bowl can be used on its own as a small serving bowl.\u003c\/p\u003e\n\u003cp\u003eMade in Japan and individually boxed, this piece is a thoughtful choice for Japanese tableware collectors, housewarming gifts, and anyone who enjoys decorative but practical porcelain.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487582044390,"sku":null,"price":78.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7476835741_5r5p.jpg?v=1774622216"},{"product_id":"arita-gold-glazed-tea-set","title":"Arita Gold Glazed Tea Set in Wooden Box | Teapot \u0026 2 Cups","description":"\u003cp\u003eBring refined Japanese elegance to your tea ritual with this gold glazed porcelain tea set from Craft Nanpu. The set includes one teapot and two small cups, presented in a wooden box for a gift-worthy finish.\u003c\/p\u003e\n\u003cp\u003eThe teapot includes a strainer for loose-leaf brewing, while the two cups are sized for calm, intimate tea service. The luminous gold finish gives the set a celebratory presence that feels luxurious while still keeping the quiet beauty of Japanese tableware.\u003c\/p\u003e\n\u003cp\u003eMade in Japan, this tea set is a thoughtful choice for tea lovers, collectors of Japanese ceramics, and meaningful gifting for weddings, anniversaries, housewarmings, and milestone occasions.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487583322342,"sku":null,"price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7479451664_szdp.jpg?v=1774622224"},{"product_id":"arita-indigo-camellia-tea-set","title":"Arita Indigo Camellia Tea Set | Kyusu Teapot 410 ml \u0026 2 Yunomi Cups","description":"\u003cp\u003eBring refined Japanese elegance to your tea ritual with this hand-painted porcelain tea set from Craft Nanpu. Decorated with an indigo camellia motif on a deep blue ground, the set includes one kyusu teapot and two yunomi cups, creating a graceful balance of color, tradition, and everyday usability.\u003c\/p\u003e\n\u003cp\u003eThe built-in tea strainer makes the teapot practical for loose-leaf brewing, while the two yunomi cups make the set ideal for sharing tea with a guest or enjoying a quiet tea moment at home. The camellia design adds a calm seasonal feeling and a gift-worthy character.\u003c\/p\u003e\n\u003cp\u003eMade in Japan and presented in a wooden box, this tea set is a thoughtful choice for tea lovers, Japanese porcelain collectors, housewarming gifts, and wedding or anniversary gifting.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487583551718,"sku":null,"price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7428796280_7nvk.jpg?v=1774622223"},{"product_id":"arita-green-floral-demitasse-cup-saucer","title":"Arita Hexagon Demitasse Cup \u0026 Saucer — Floral Set","description":"\u003cp\u003e\u003cstrong\u003eHand-painted Arita\/Hasami hexagonal demitasse cup \u0026amp; saucer\u003c\/strong\u003e in the supplier's \u003cem\u003e花絵間取綠 Hana-e Madori Midori\u003c\/em\u003e (\"Floral-Picture Reservation, Green\") pattern. Green overglaze rim wash + sumi-ink brushwork reservations + orange-red akae florets + turquoise\/yellow\/cobalt enamel dot accents on the characteristic iron-spot-speckled Arita-Hasami border-kiln porcelain body. Original navy-blue gift box with 美術 有田焼 (Bijutsu Arita-yaki) certification sticker on saucer underside.\u003c\/p\u003e\n\u003ch3\u003eWorkshop \u0026amp; tradition\u003c\/h3\u003e\n\u003cp\u003eArita (有田焼) and Hasami (波佐見焼) are two of Japan's most prestigious porcelain traditions — both designated 経済産業大臣指定伝統的工芸品 (Traditional Crafts) — produced in neighbouring towns on the Saga–Nagasaki border. Many border-region kilns produce ware that is classified as both, and this set is one of those: a hand-painted hexagonal demitasse co-classified as Arita\/Hasami porcelain, distributed via 南風 Nanpu (a long-established Saga\/Nagasaki-region porcelain wholesaler).\u003c\/p\u003e\n\u003ch3\u003ePattern \u0026amp; design\u003c\/h3\u003e\n\u003cp\u003eThe pattern name \u003cem\u003e花絵間取綠\u003c\/em\u003e breaks down as: \u003cstrong\u003e花絵\u003c\/strong\u003e (\u003cem\u003ehana-e\u003c\/em\u003e, \"floral picture\") + \u003cstrong\u003e間取\u003c\/strong\u003e (\u003cem\u003emadori\u003c\/em\u003e, the painter's reservation or framed window inside which the decoration sits) + \u003cstrong\u003e綠\u003c\/strong\u003e (\u003cem\u003emidori\u003c\/em\u003e, green — the colour that anchors the rim wash). The hexagonal cup form lends itself naturally to madori: each of the six panels of the cup, and each segment of the saucer, becomes its own small painted scene.\u003c\/p\u003e\n\u003ch3\u003eUse cases\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEspresso \/ strong-brew coffee service (100 mL demitasse capacity)\u003c\/li\u003e\n\u003cli\u003eJapanese sencha or genmaicha tea in a small portion\u003c\/li\u003e\n\u003cli\u003eDisplay-as-art: the hexagonal facets read beautifully on an open shelf\u003c\/li\u003e\n\u003cli\u003eGift: wedding, anniversary, corporate executive, housewarming\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is a demitasse?\u003c\/strong\u003e A demitasse is a small \"half-cup\" — typically 60–100 mL — used in Europe for espresso and in Japan for strong tea or coffee. This piece is 100 mL.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArita or Hasami?\u003c\/strong\u003e Both. The kiln sits in the Saga–Nagasaki border region where Arita-cho and Hasami-cho meet, and the supplier classifies the production as both Arita-yaki and Hasami-yaki traditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs it microwave or dishwasher safe?\u003c\/strong\u003e Not confirmed by the supplier. We recommend hand-wash only with mild soap and lukewarm water to preserve the hand-painted overglaze decoration.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487584174310,"sku":"ZK-CUP-NANPU-ITM5946","price":68.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7668563885_r5rz.jpg?v=1774622226"},{"product_id":"arita-hexagon-demitasse-cup-saucer","title":"Arita Hexagon Demitasse Cup \u0026 Saucer — Diamond Set","description":"\u003cp\u003e\u003cstrong\u003eHand-painted Arita\/Hasami hexagonal demitasse cup \u0026amp; saucer\u003c\/strong\u003e in the supplier's \u003cem\u003e染錦菱紋 Some-nishiki Hishi-mon\u003c\/em\u003e (\"Sometsuke + Polychrome-Brocade Diamond-Lattice\") pattern. Pale cobalt sometsuke (underglaze) diamond grid + red, green, gold, yellow, black overglaze enamels filling alternating cells — the canonical Old-Imari \/ Kakiemon-school technique on the characteristic iron-spot-speckled Arita-Hasami porcelain body. Original navy gift box + 美術 有田焼 certification sticker on saucer underside.\u003c\/p\u003e\n\u003ch3\u003eWorkshop \u0026amp; tradition\u003c\/h3\u003e\n\u003cp\u003eArita (有田焼) and Hasami (波佐見焼) are two of Japan's most prestigious porcelain traditions — both designated 経済産業大臣指定伝統的工芸品 (Traditional Crafts) — produced in neighbouring towns on the Saga–Nagasaki border. Many border-region kilns produce ware classified as both, and this set is one of those: a hand-painted hexagonal demitasse co-classified as Arita+Hasami porcelain, distributed via 南風 Nanpu.\u003c\/p\u003e\n\u003ch3\u003eWhat is the pattern?\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e染錦菱紋 Some-nishiki Hishi-mon\u003c\/em\u003e: \u003cstrong\u003e染\u003c\/strong\u003e (\u003cem\u003esometsuke\u003c\/em\u003e, underglaze cobalt) + \u003cstrong\u003e錦\u003c\/strong\u003e (\u003cem\u003enishikide\u003c\/em\u003e, polychrome overglaze brocade) + \u003cstrong\u003e菱紋\u003c\/strong\u003e (\u003cem\u003ehishi-mon\u003c\/em\u003e, diamond crest). A pale-blue cobalt diamond grid lays the structural pattern, and red\/green\/gold\/yellow\/black overglaze enamels fill alternating cells with miniature framed diamonds. The combination of sometsuke base + nishikide overlay is the canonical Old-Imari \/ Kakiemon-school decorative technique.\u003c\/p\u003e\n\u003ch3\u003eUse cases\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEspresso \/ strong-brew coffee service (100 mL)\u003c\/li\u003e\n\u003cli\u003eJapanese sencha tea in a small portion\u003c\/li\u003e\n\u003cli\u003eDisplay-as-art — the diamond lattice + hexagonal form together create a kaleidoscopic table presence\u003c\/li\u003e\n\u003cli\u003eGift: wedding, anniversary, corporate executive, housewarming, mid-century-modern collector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eIs it microwave or dishwasher safe?\u003c\/strong\u003e Not confirmed by the supplier. The gold (kinsai) enamel accents are specifically incompatible with microwave use, and the polychrome overglaze enamels will abrade in a dishwasher cycle. Hand-wash only with mild soap and lukewarm water.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArita or Hasami?\u003c\/strong\u003e Both. The kiln sits on the Saga–Nagasaki border where Arita-cho and Hasami-cho meet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs there a matching floral variant?\u003c\/strong\u003e Yes — see our 花絵間取綠 Hana-e Madori Midori hexagon demitasse (same form, same Nanpu workshop run).\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487584403686,"sku":"ZK-CUP-NANPU-ITM5947","price":68.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7620438546_73nc.jpg?v=1774622227"},{"product_id":"arita-pine-bamboo-plum-oval-serving-plate","title":"Arita Sometsuke Oval Platter — Shōchikubai (Pine · Bamboo · Plum)","description":"\u003cp\u003eA hand-painted Arita-yaki \/ Hasami-yaki oval platter in classic underglaze cobalt blue on luminous white porcelain. The chrysanthemum-fluted (\u003cem\u003ekiku-gata\u003c\/em\u003e) scalloped rim cradles a hand-brushed pine–bamboo–plum (\u003cem\u003eshōchikubai\u003c\/em\u003e) border — the “Three Friends of Winter” — while a clean white oval reserve in the centre frames whatever you serve.\u003c\/p\u003e\n\u003ch3\u003eThe motif — Three Friends of Winter\u003c\/h3\u003e\n\u003cp\u003ePine, bamboo, and plum together form 松竹梅 (shōchikubai) — a centuries-old East Asian visual shorthand for steadfastness (pine, evergreen through cold), resilience (bamboo, bending but unbroken), and renewal (plum, the first blossom before spring thaw). The triad appears on Arita porcelain from the 17th century onward and remains a quietly auspicious motif for the New Year, weddings, anniversaries, and housewarming.\u003c\/p\u003e\n\u003ch3\u003eAt the table\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSashimi or nigiri sushi for two\u003c\/li\u003e\n\u003cli\u003eTempura, gyoza, or yakitori sharing plate\u003c\/li\u003e\n\u003cli\u003eAppetizer or charcuterie spread — the white reserve frames cheeses, charcuterie, fruit\u003c\/li\u003e\n\u003cli\u003eDessert plating — wagashi, fresh fruit, individual cakes\u003c\/li\u003e\n\u003cli\u003eSide-dish presentation in a Japandi or minimalist tablescape\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCraft notes\u003c\/h3\u003e\n\u003cp\u003eEach plate is brushed by hand under glaze, so brush weight, line softness, and cobalt depth vary slightly from piece to piece. The kiku-fluted rim is formed by hand-press moulding before firing, giving each lobe a subtly different highlight under light. Small kiln pinholes and a faint underglaze stamp on the foot are normal authentic markers of Arita \/ Hasami porcelain — not flaws.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487585419494,"sku":null,"price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7630607663_nozb.jpg?v=1774622231"},{"product_id":"arita-four-gentlemen-cup-saucer-set","title":"Arita Imari Coffee Cup \u0026 Saucer — Hand-Painted Shu-Dami Shikunshi","description":"\u003cp\u003eA hand-painted Arita-yaki \/ Hasami-yaki coffee cup and saucer set decorated in the classic 古伊万里 (Old Imari) cartouche tradition. Four alternating panels move around the cup body — two saturated vermillion (\u003cem\u003eshu-dami\u003c\/em\u003e 朱濃) overglaze enamel grounds filled with a fine plum-blossom diaper, alternating with two white reserves painted with \u003cem\u003eshikunshi\u003c\/em\u003e (四君子, the Four Noble Plants — plum, orchid, bamboo, chrysanthemum) and a small blue bird perched on a flowering branch. The saucer carries the same four-panel scheme.\u003c\/p\u003e\n\u003ch3\u003eThe motif — Four Noble Plants (Shikunshi)\u003c\/h3\u003e\n\u003cp\u003e四君子 (“the four gentlemen”) is a Confucian set of four virtuous plants — plum for resilience through winter, orchid for quiet integrity, bamboo for upright flexibility, chrysanthemum for steadfast longevity. As a decorative cycle on porcelain it dates back to Ming-dynasty Chinese precedents and was adopted into Imari export ware from the late 17th century onward.\u003c\/p\u003e\n\u003ch3\u003eWhy this is Imari-style\u003c\/h3\u003e\n\u003cp\u003e“Imari” refers to the port through which Arita-yaki porcelain was historically shipped abroad. By the early Edo period, the term described a recognisable decorative grammar: alternating panels of saturated overglaze red and white sometsuke reserves with multi-colour enamels. This set follows that grammar in red + blue + green + yellow polychrome (no gold), placing it in the everyday-use Imari tradition rather than the high-court 金蘭手 kinrande line.\u003c\/p\u003e\n\u003ch3\u003eAt the table\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEspresso or short coffee (~200 mL is generous for espresso, restrained for filter)\u003c\/li\u003e\n\u003cli\u003eJapanese tea — sencha, hojicha, gyokuro — handheld with handle\u003c\/li\u003e\n\u003cli\u003eWagashi or fruit dessert plating on the saucer\u003c\/li\u003e\n\u003cli\u003eDisplay piece on an open shelf paired with cobalt-blue stacking ware\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487585681638,"sku":"ZK-CUPSAUC-NANPU-KJK10639","price":61.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7630325971_jo59.jpg?v=1774622232"},{"product_id":"arita-ko-imari-wisteria-cup-saucer-set","title":"Arita Imari Wisteria Coffee Cup \u0026 Saucer (Sehei-gama, Ko-Imari, 160 ml)","description":"\u003cp\u003eA hand-painted Arita-yaki \/ Hasami-yaki coffee cup and saucer set in the classic 古伊万里 (Ko-Imari) cartouche tradition, made by Sehei-gama (瀬兵窯) in Saga Prefecture. Four alternating panels move around the cup body — two vermillion-red overglaze enamel (\u003cem\u003eakae\u003c\/em\u003e 赤絵) ground panels carrying white scrolled leaves and gold tracery, alternating with two white reserves painted with the named motif: cascading purple-lavender wisteria (藤 \u003cem\u003efuji\u003c\/em\u003e) joined by sakura (cherry blossom) and small yellow chrysanthemum-like florets on a green flowering branch. The 6-lobe scalloped (\u003cem\u003erinka\u003c\/em\u003e 輪花) rim is finished with a cobalt \u003cem\u003esometsuke\u003c\/em\u003e band of stylised wave-cloud scrollwork and small gold-outlined (\u003cem\u003ekinsai\u003c\/em\u003e 金彩) daisy roundels, with a hair-line gold trim along the lip. The cup stands on a tall pedestal (高台 \u003cem\u003ekōdai\u003c\/em\u003e) foot decorated with cobalt \u003cem\u003eseigaiha\u003c\/em\u003e 青海波 wave fill. The matching saucer carries the same composition in radial bands.\u003c\/p\u003e\n\u003ch3\u003eThe motif — Wisteria (藤 \/ Fuji)\u003c\/h3\u003e\n\u003cp\u003eWisteria has been a central late-spring \/ early-summer auspicious motif in Japanese decorative arts since the Heian period. Its long, cascading flower clusters symbolise longevity, gentleness, and the renewal of the seasonal cycle; the plant became historically associated with the Fujiwara (藤原, “wisteria field”) noble lineage. Joined here by sakura — the cherry blossom that opens the season — and yellow chrysanthemum-like florets, the painted reserve panels form a multi-flower bouquet across the cup body and saucer.\u003c\/p\u003e\n\u003ch3\u003eWhy this is Ko-Imari (古伊万里)\u003c\/h3\u003e\n\u003cp\u003e“Imari” refers to the port through which Arita-yaki porcelain was historically shipped abroad. By the early Edo period, the term came to describe a recognisable decorative grammar: alternating panels of saturated overglaze red and white sometsuke reserves, often finished with gold for high-tier pieces. This set follows that grammar — red akae 赤絵 + cobalt sometsuke 染付 + green \/ yellow \/ aubergine enamels + overglaze gold 金彩 kinsai trim — placing it firmly in the Ko-Imari tradition that informed European chinoiserie tableware for two centuries.\u003c\/p\u003e\n\u003ch3\u003eAt the table\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEspresso, ristretto, or short coffee (~160 mL sits between demitasse and a full coffee mug — petite, restrained)\u003c\/li\u003e\n\u003cli\u003eJapanese tea — sencha, hojicha, gyokuro — held by the handle without burning fingers\u003c\/li\u003e\n\u003cli\u003eWagashi or small fruit dessert plated on the saucer\u003c\/li\u003e\n\u003cli\u003eDisplay piece on an open shelf — pair with cobalt-blue stacking ware for a Ko-Imari corner\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487585911014,"sku":"ZK-CUPSAUC-NANPU-KJK10431","price":77.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7582269790_de34.jpg?v=1774622233"},{"product_id":"arita-red-gold-chrysanthemum-cup-saucer-set","title":"Arita Imari Red \u0026 Gold Kinrande Chrysanthemum Cup \u0026 Saucer (Tokukō, 150 ml)","description":"\u003ch3\u003eArita Imari Red \u0026amp; Gold Kinrande Chrysanthemum Coffee Cup \u0026amp; Saucer — Hand-Painted by Tokukō (徳幸)\u003c\/h3\u003e\n\u003cp\u003eA hand-painted Arita-yaki \/ Hasami-yaki coffee\/tea cup and saucer set in the high-tier 金襴手 (kinrande, “gold brocade”) tradition — vermillion akae 赤絵 ground covered in extensive overglaze gold leaf, with the named motif 菊華紋 (kikka-mon, chrysanthemum-cluster rosettes) repeated six-plus times around the cup body and ringing the saucer rim, joined by continuous gold karakusa 唐草 scrolling vines. The 8-lobe scalloped (輪花 rinka) rim is finished with lotus-petal cartouches filled with a fine white-on-gold 七宝 shippō reticulated dot pattern, framed by hair-line kinsai gold trim. Made by Tokukō (徳幸) kiln in Saga Prefecture and presented in its branded navy くらしの器 keshōbako.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMade by\u003c\/strong\u003e Tokukō \/ Nanpu \/ Arita-yaki \u0026amp; Hasami-yaki in Saga Prefecture, Japan, curated by ZenKiln\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e🌼 The motif — Kikka 菊華 (Chrysanthemum-Cluster)\u003c\/h3\u003e\n\u003cp\u003eThe chrysanthemum (kiku) is the imperial flower of Japan — adopted by the imperial household in the early Kamakura period and still featured on the 16-petal Imperial Seal today. As a decorative motif, it symbolises longevity, nobility, perfection, and the autumnal season. The kikka-mon repeated-rosette composition is among the most luxurious of all Imari gold-decoration patterns; this set carries six full chrysanthemum rosettes around the cup body and matching rosettes ringing the saucer rim. The continuous gold karakusa (唐草) vines connecting the rosettes is itself a symbol of eternity, growth, and perseverance.\u003c\/p\u003e\n\u003ch3\u003e🎨 Why this is Kinrande (金襴手) — Gold-Brocade Imari\u003c\/h3\u003e\n\u003cp\u003eKinrande, literally “gold brocade hand”, is the high-tier 17th-century Arita technique that applied gold leaf and gold-line decoration over the polychrome akae overglaze enamel ground. Originally developed in Arita as a chinoiserie response to Ming-Wanli gold-decorated porcelains, kinrande became the signature look of high-end Japanese export ware bound for European aristocratic households. Tokukō kiln continues that tradition today — this piece is kinrande worked over vermillion akae, with extensive gold karakusa + kikka coverage, the white-on-gold shippō reticulated cartouches, and hair-line kinsai gold rim. Buyers familiar with antique Old Imari (古伊万里) will recognise the grammar immediately.\u003c\/p\u003e\n\u003ch3\u003e☕ At the table\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSmall espresso, espresso lungo, ristretto, or macchiato (150 mL is generous for espresso, restrained for filter coffee)\u003c\/li\u003e\n\u003cli\u003eJapanese 紅茶 (kōcha \/ black tea) — the form is the traditional Japanese kōchawan (紅茶碗皿) — held by the handle without burning fingers\u003c\/li\u003e\n\u003cli\u003eA petite afternoon-tea or wagashi pairing cup\u003c\/li\u003e\n\u003cli\u003eA statement collector’s display piece on an open shelf\u003c\/li\u003e\n\u003cli\u003eA natural pairing for Old Imari (古伊万里) \/ Imari teacup \/ service porcelaine arita imari collectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e🎁 Gift-ready \u0026amp; sister product\u003c\/h3\u003e\n\u003cp\u003eShips in its branded navy くらしの器 keshōbako (化粧箱) with brand card (cream cursive script + red 有田焼 stamp + 商品札 hang-tag) — gift-ready as bought. A natural gift for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCoffee and tea ritualists\u003c\/li\u003e\n\u003cli\u003eHostess and housewarming gifts (and luxury corporate gifts)\u003c\/li\u003e\n\u003cli\u003eWeddings, anniversaries, engagements, graduations\u003c\/li\u003e\n\u003cli\u003eFather’s Day and seasonal table styling\u003c\/li\u003e\n\u003cli\u003eOld Imari \/ Arita \/ Kutani \/ Japanese tableware collectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA matching \u003ca href=\"\/en-cz\/products\/arita-blue-gold-cup-saucer-set\"\u003eblue-ground sister\u003c\/a\u003e (錦青地金彩菊華紋 — cobalt blue background, same kikka-mon kinrande motif, same Tokukō kiln) is available separately — perfect as a pair for a his-and-hers table setting.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487586107622,"sku":"ZK-CUPSAUC-NANPU-KJK10608","price":88.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7580453012_kjyb.jpg?v=1774622234"},{"product_id":"arita-blue-gold-cup-saucer-set","title":"Arita Imari Blue \u0026 Gold Kinrande Chrysanthemum Cup \u0026 Saucer (Tokukō, 150 ml)","description":"\u003ch3\u003eArita Imari Blue \u0026amp; Gold Kinrande Chrysanthemum Coffee Cup \u0026amp; Saucer — Hand-Painted by Tokukō (徳幸)\u003c\/h3\u003e\n\u003cp\u003eA hand-painted Arita-yaki \/ Hasami-yaki coffee\/tea cup and saucer set in the high-tier 金襴手 (kinrande, “gold brocade”) tradition — a deep cobalt blue underglaze sometsuke (染付) ground covered in extensive overglaze gold leaf, with the named motif 菊華紋 (kikka-mon, chrysanthemum-cluster rosettes) repeated six-plus times around the cup body and ringing the saucer rim, joined by continuous gold karakusa 唐草 scrolling vines. The 8-lobe scalloped (輪花 rinka) rim is finished with lotus-petal cartouches filled with a fine white-on-gold 七宝 shippō reticulated dot pattern, framed by hair-line kinsai gold trim. Made by Tokukō (徳幸) kiln in Saga Prefecture, presented in its branded navy くらしの器 keshōbako — and carries the Arita-yaki cooperative 美術 (bijutsu \/ “art-tier”) authentication sticker on the saucer underside.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMade by\u003c\/strong\u003e Tokukō \/ Nanpu \/ Arita-yaki \u0026amp; Hasami-yaki in Saga Prefecture, Japan, curated by ZenKiln\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e🌼 The motif — Kikka 菊華 (Chrysanthemum-Cluster)\u003c\/h3\u003e\n\u003cp\u003eThe chrysanthemum (kiku) is the imperial flower of Japan — adopted by the imperial household in the early Kamakura period and still featured on the 16-petal Imperial Seal today. As a decorative motif, it symbolises longevity, nobility, perfection, and the autumnal season. The kikka-mon repeated-rosette composition is among the most elaborate and gold-intensive of all Imari decoration patterns; this piece carries six full chrysanthemum rosettes around the cup body and matching rosettes ringing the saucer rim. The continuous gold karakusa (唐草) vines connecting the rosettes is itself a symbol of eternity, growth, and perseverance.\u003c\/p\u003e\n\u003ch3\u003e🎨 Why this is Kinrande (金襴手) — Gold-Brocade Imari (blue-ground variant)\u003c\/h3\u003e\n\u003cp\u003eKinrande, literally “gold brocade hand”, is the high-tier 17th-century Arita technique that applied gold leaf and gold-line decoration over a coloured ground — originally developed in Arita as a chinoiserie response to Ming-Wanli gold-decorated porcelains. The blue-ground variant of kinrande (this piece) places the gold over a deep cobalt blue underglaze sometsuke 染付 base — technically distinct from the red-ground variant, which uses overglaze akae 赤絵 vermillion as ground. The cobalt blue is fired beneath the glaze in a single high-fire; the overglaze gold + small mori-age white slip dots are added in a lower-temperature second firing. Tokukō kiln continues this layered tradition today.\u003c\/p\u003e\n\u003ch3\u003e☕ At the table\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSmall espresso, espresso lungo, ristretto, or macchiato (150 mL is generous for espresso, restrained for filter coffee)\u003c\/li\u003e\n\u003cli\u003eJapanese 紅茶 (kōcha \/ black tea) — the form is the traditional Japanese kōchawan (紅茶碗皿)\u003c\/li\u003e\n\u003cli\u003eA petite afternoon-tea or wagashi pairing cup\u003c\/li\u003e\n\u003cli\u003eA statement collector’s display piece — pairs naturally with Old Imari (古伊万里), other Arita kinrande, and blue-and-white sometsuke pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e🎁 Gift-ready \u0026amp; sister product\u003c\/h3\u003e\n\u003cp\u003eShips in its branded navy くらしの器 keshōbako (化粧箱) with brand card (cream cursive script + red 有田焼 stamp) — gift-ready as bought. A natural gift for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCoffee and tea ritualists\u003c\/li\u003e\n\u003cli\u003eHostess and housewarming gifts, corporate gifting\u003c\/li\u003e\n\u003cli\u003eWeddings, anniversaries, engagements, graduations\u003c\/li\u003e\n\u003cli\u003eFather’s Day and seasonal table styling\u003c\/li\u003e\n\u003cli\u003eOld Imari \/ Arita \/ Kutani \/ Japanese tableware collectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA matching \u003ca href=\"\/en-cz\/products\/arita-red-gold-chrysanthemum-cup-saucer-set\"\u003ered-ground sister\u003c\/a\u003e (錦赤地金彩菊華紋 — vermillion akae background, same kikka-mon kinrande motif, same Tokukō kiln, identical 9 × 6.5 cm cup \/ 15 cm saucer \/ 150 mL) is available separately — perfect as a pair for a his-and-hers table setting or as a wedding gift.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487586402534,"sku":"ZK-CUPSAUC-NANPU-KJK10607","price":88.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7582319806_k9n8.jpg?v=1774622235"},{"product_id":"arita-sakura-lidded-rice-bowl","title":"Arita Misuzu Hand-Painted Lidded Rice Bowl — Red Matte Hana-Chirashi Sakura Porcelain (330 ml)","description":"\u003cp\u003eA hand-painted Arita-yaki (有田焼) lidded covered bowl in the modern 赤マット (aka-matto \/ red matte) overglaze finish — a contemporary Arita variation that uses a speckled matte red ground in place of the traditional glossy Imari red. Made by 美鈴 (Misuzu — literally \"fine bell\", a workshop-name kanji compound) and distributed by 南風 (Nanpu) in Saga Prefecture. The lid and bowl carry a 花散し (hana-chirashi \/ \"scattered flowers\") pattern — white 5-petal blossoms with golden centers, magenta stamen dots, and gold (金彩 kinsai) karakusa scrolling vines connecting the flowers across the matte red field. The lid finial is a small gold-and-orange bell-shaped knob — a visual tie-in with the 美鈴 workshop name (鈴 \/ suzu = bell in Japanese). Carries the Arita-yaki cooperative 美術 (Bijutsu \/ \"art-tier\") gold oval sticker plus a black cursive painter signature on the foot.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMade by\u003c\/strong\u003e Misuzu \/ Nanpu \/ Arita-yaki in Saga Prefecture, Japan, curated by ZenKiln\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e🌼 The motif — Hana-Chirashi (花散し \/ \"Scattered Flowers\")\u003c\/h3\u003e\n\u003cp\u003e花散し is a classical Japanese decorative term for \"scattered flower\" composition — flowers painted in a loose, dispersed arrangement across a ground colour rather than in formal cartouches or scenic vignettes. It evokes the seasonal moment when blossoms drift on the wind, suspended in motion. The specific species in this set is interpretive — the 5-petal white blossoms read most easily as sakura (cherry blossom), the Japanese symbol of transient beauty and spring renewal. The supporting golden karakusa (唐草 \/ scrolling vines) is a classical endless-vine motif symbolising continuous flourishing.\u003c\/p\u003e\n\u003ch3\u003e🎨 Why Aka-Matto (赤マット) — Modern Arita's Matte Red\u003c\/h3\u003e\n\u003cp\u003eThe traditional 古伊万里 Imari ground is a saturated \u003cem\u003eglossy\u003c\/em\u003e vermillion red, layered overglaze enamel polished to a mirror surface. The 赤マット (aka-matto \/ \"red matte\") finish is a \u003cem\u003econtemporary\u003c\/em\u003e Arita variation — same vermillion enamel base, but finished without the high-gloss top coat, producing a softer, deeper, more painterly red with a fine white speckle texture. It's a modern collector's choice for buyers who want the Arita-yaki tradition but with a subtler, less ornate surface than full Imari. The Misuzu workshop's matte red has a slightly stippled or \"snowfall\" effect created by the firing process.\u003c\/p\u003e\n\u003ch3\u003e🍚 At the table\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eRice bowl (small Japanese gohan portion ~150–180 g cooked rice fits comfortably in the 330 mL capacity)\u003c\/li\u003e\n\u003cli\u003eMiso soup or clear suimono with delicate ingredients (the lid keeps the soup warm and ingredients presentable until table service)\u003c\/li\u003e\n\u003cli\u003eChawanmushi (steamed egg custard) — the lid is the traditional service convention\u003c\/li\u003e\n\u003cli\u003eWagashi (Japanese sweets) presentation — the lid creates a small unveiling moment\u003c\/li\u003e\n\u003cli\u003eSmall kaiseki side dish (the lidded form is a kaiseki staple for honzen \/ formal Japanese cuisine)\u003c\/li\u003e\n\u003cli\u003eDisplay piece on an open shelf — pairs naturally with red-and-gold Imari and Arita pieces\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e🎁 Gift-ready\u003c\/h3\u003e\n\u003cp\u003eArrives in individual protective wrap with the supplier's 商品札 (hang-tag) — message at checkout if you would like additional gift wrapping. A natural gift for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJapanese-tableware and Arita-yaki collectors\u003c\/li\u003e\n\u003cli\u003eHostess, housewarming, wedding, anniversary, Father's Day, graduation gifts\u003c\/li\u003e\n\u003cli\u003eCherry-blossom enthusiasts and seasonal-decor curators\u003c\/li\u003e\n\u003cli\u003eModern Arita-yaki buyers who prefer the matte aka-matto finish over traditional glossy Imari\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e📌 Reference conversions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSet 11.1 × 11.0 cm = 4.4 × 4.3 inches\u003c\/li\u003e\n\u003cli\u003eBowl rim 10.0 cm = 3.9 inches · body 10.5 cm = 4.1 inches · height 7.0 cm = 2.8 inches\u003c\/li\u003e\n\u003cli\u003eCapacity 330 mL = ~11.2 fl oz = ~1.4 US cups\u003c\/li\u003e\n\u003cli\u003eSet weight 320 g (~11.3 oz); bowl alone 200 g (~7.1 oz)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487587320038,"sku":null,"price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7426443312_tw4h.jpg?v=1774622238"},{"product_id":"arita-quail-coffee-cup-saucer-set","title":"Arita Quail \u0026 Autumn Grass Coffee Cup \u0026 Saucer Set | Hand-Painted Porcelain, 190 ml","description":"\u003cp\u003eBring refined Japanese artistry to your daily coffee or tea ritual with this elegant Arita ware porcelain cup and saucer set. Decorated with a serene quail and autumn grass motif, it combines smooth luminous porcelain with delicate hand-painted detail, making it a timeless piece for collectors and everyday use.\u003c\/p\u003e\n\u003cp\u003eIts softly balanced form feels comfortable in the hand and works beautifully for coffee, tea, and quiet table moments. The painted motif adds a calm, nature-inspired character that suits both modern and traditional table settings.\u003c\/p\u003e\n\u003cp\u003ePresented in individual packaging, this cup and saucer set also makes a thoughtful gift for tea lovers, coffee lovers, and anyone who appreciates Japanese tableware with understated detail.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487588139238,"sku":null,"price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7429001966_9oq7.jpg?v=1774622241"},{"product_id":"arita-hasami-tsugumi-bird-leaf-plate","title":"Arita Hasami Leaf Plate, Hand-Painted Thrush Birds on Berry Branch 15 cm","description":"\u003cp\u003eA small leaf-shaped porcelain plate from the Arita-yaki \/ Hasami-yaki neighbouring porcelain regions of Kyushu, hand-painted with two thrush birds — one perched in cobalt blue on a slim red branch hung with red berries and green leaf-buds, one walking below in orange and black. The supplier classifies this piece under both \u003cstrong\u003eArita-yaki (有田焼)\u003c\/strong\u003e and \u003cstrong\u003eHasami-yaki (波佐見焼)\u003c\/strong\u003e — two neighbouring porcelain traditions on either side of the Saga \/ Nagasaki prefectural border, both designated METI Traditional Crafts (Arita 1977, Hasami 1978), sharing the same kaolin clay, the same 1300°C reduction firing, and the same overglaze-enamel decorative idiom.\u003c\/p\u003e\n\u003cp\u003eThe plate's silhouette is shaped like a single leaf — wider in the middle, tapering to a soft point at each end — and the painted \"branch\" runs diagonally across the surface to echo the plate's own outline, with the blue bird at one end of the branch and the walking orange bird offset toward the opposite end. The motif is read as \u003cstrong\u003eki-no-ha 木の葉\u003c\/strong\u003e (leaf) plus \u003cstrong\u003etsugumi 鴫\u003c\/strong\u003e (thrush) — a quiet pairing from Japanese seasonal vocabulary, where thrushes are associated with autumn and winter berry-eating.\u003c\/p\u003e\n\u003cp\u003eThe base of the plate carries a hand-brushed cobalt-blue kanji signature — \u003cstrong\u003e寿 (kotobuki)\u003c\/strong\u003e, \"longevity \/ felicitation\" — applied in underglaze beneath the clear gloss. The signature is presented as observed; we have not been able to attribute it to a specific named workshop with certainty.\u003c\/p\u003e\n\u003ch3\u003eAbout this maker\u003c\/h3\u003e\n\u003cp\u003eMade by Nanpu \/ Arita-yaki \u0026amp; Hasami-yaki porcelain in Saga and Nagasaki Prefecture, Japan, curated by ZenKiln\u003c\/p\u003e\n\u003cp\u003e南風 (Nanpu) is the Kyushu-based distributor that supplies this plate; it sits across both the Arita and Hasami porcelain corridors. Arita and Hasami are two neighbouring porcelain towns — Arita (Saga) is the older, more famous of the two (Japan's first porcelain town, 1616), while Hasami (Nagasaki) historically produced the everyday tableware that ran in parallel volumes to Arita's higher-grade and export wares. In modern practice the two have converged in many product lines, which is why the supplier names both ware-lines on the package.\u003c\/p\u003e\n\u003ch3\u003eUse \u0026amp; care\u003c\/h3\u003e\n\u003cp\u003eSuitable for everyday use as a side-dish plate, sweets plate (kashizara 菓子皿), or display piece. The supplier confirms both microwave and dishwasher safe. Iroe overglaze decoration is more durable than gold accents and tolerates standard dishwasher cycles. Avoid scouring pads on the painted areas.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487590039782,"sku":"ZK-PLATE-NANPU-ARITA-HASAMI-TSUGUMI-LEAF-15CM","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7490061328_klt9.jpg?v=1774622249"},{"product_id":"arita-yunomi-tea-cup","title":"Arita Hasami Soba Choko, Tokushichi-Gama Hand-Painted Cherry Yunomi 8 cm","description":"\u003cp\u003eA small porcelain cup from \u003cstrong\u003eTokushichi-gama (徳七窯)\u003c\/strong\u003e, distributed by \u003cstrong\u003eNanpu (南風)\u003c\/strong\u003e out of the Arita \/ Hasami porcelain corridor on the Saga \/ Nagasaki prefectural border. Both \u003cstrong\u003eArita-yaki (有田焼)\u003c\/strong\u003e and \u003cstrong\u003eHasami-yaki (波佐見焼)\u003c\/strong\u003e are designated METI Traditional Crafts (Arita 1977, Hasami 1978), and many modern kilns straddle both classifications because they share the same kaolin clay, the same 1300°C reduction firing, and the same overglaze-enamel decorative idiom. The supplier names this kiln on the package as belonging to both ware-lines.\u003c\/p\u003e\n\u003cp\u003eThe form is a \u003cstrong\u003eそば猟口 soba choko\u003c\/strong\u003e — the small tapered cup the Edo-period Arita potters first developed in the late 1600s to hold dipping sauce for cold soba noodles — and the supplier explicitly lists the same vessel as a \u003cstrong\u003e湯呑 yunomi\u003c\/strong\u003e, an everyday tea cup. At 160 ml capacity and 8 cm diameter \/ 6.5 cm height, it sits in the size band where either use is comfortable. In a Japanese home it serves equally well as soba dipping cup, tea cup, sake cup (large pour), small dessert cup, or sauce \/ dressing ramekin.\u003c\/p\u003e\n\u003cp\u003eThe decoration is hand-painted (手描 tegaki). The motif reads as \u003cstrong\u003esakuranbo (さくらんぼ \/ 桜桃)\u003c\/strong\u003e — clustered cherry fruits, painted as soft red bossed dots scattered across the white porcelain surface, each one ringed by an unglazed thin halo where the iron-oxide enamel meets the clear gloss, and connected by slim brown iron-pigment branch-stems that fork and bend across the body. The painting is loose and gestural rather than tightly drafted — the kind of brushwork that makes each piece slightly different from its neighbours on the kiln shelf, which is part of the appeal of hand-painted commodity-tier Arita\/Hasami work.\u003c\/p\u003e\n\u003ch3\u003eAbout this maker\u003c\/h3\u003e\n\u003cp\u003eMade by Tokushichi-gama \/ Arita-yaki \u0026amp; Hasami-yaki porcelain in Saga and Nagasaki Prefecture, Japan, curated by ZenKiln\u003c\/p\u003e\n\u003cp\u003e徳七窯 (Tokushichi-gama) is a porcelain kiln that produces hand-painted everyday tableware in the Arita \/ Hasami corridor — supplied to the Japanese domestic market through Nanpu (南風), the Kyushu-based distributor. Arita is older and more famous (Japan's first porcelain town, 1616, founded after Korean potter Yi Sam-pyeong identified kaolin at Izumiyama), while Hasami in neighbouring Nagasaki ran in parallel through the same Edo centuries, producing the higher-volume everyday porcelain that supplied Japan's daily tables. In modern practice the two regions share kilns, techniques, and distributors, which is why the supplier names both ware-lines on this kiln's package.\u003c\/p\u003e\n\u003ch3\u003eUse \u0026amp; care\u003c\/h3\u003e\n\u003cp\u003eA dual-purpose vessel — equally at home as soba dipping cup, daily tea cup, small dessert cup, or condiment ramekin. Hand-wash recommended for the hand-painted decoration; microwave and dishwasher safety not specified by the supplier on the user-provided spec sheet, so we default to conservative care guidance — confirm with us before machine-washing or microwaving. Avoid scouring pads on the painted areas.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487590334694,"sku":"ZK-CUP-TOKUSHICHIGAMA-SAKURANBO-SOBA-CHOKO-8CM","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7537980217_kuem.jpg?v=1774970961"},{"product_id":"arita-blue-arabesque-bowl","title":"Arita Hasami Faceted Bowl, Blue and White Sometsuke Arabesque 14 cm","description":"\u003cp\u003eA small porcelain bowl from the Arita \/ Hasami porcelain corridor on the Saga \/ Nagasaki prefectural border — supplied by \u003cstrong\u003eNanpu (南風)\u003c\/strong\u003e, the Kyushu-based distributor — hand-painted in cobalt-blue \u003cstrong\u003esometsuke (染付)\u003c\/strong\u003e with a \u003cstrong\u003ekosome karakusa (古染唐草)\u003c\/strong\u003e scrolling arabesque motif. Both \u003cstrong\u003eArita-yaki (有田焼)\u003c\/strong\u003e and \u003cstrong\u003eHasami-yaki (波佐見焼)\u003c\/strong\u003e are designated METI Traditional Crafts (Arita 1977, Hasami 1978); the supplier names both ware-lines on the package, which is common practice for kilns that straddle the two regions' shared porcelain industry.\u003c\/p\u003e\n\u003cp\u003eThe bowl is built in a faceted (切子 kiriko) form — radial pleated panels running from the recessed square center base up to a wavy scalloped rim. The cobalt arabesque motif is concentrated at four panels of the upper inner wall (where it reads as four floral medallions when viewed from above), with smaller leaf and scroll accents at the rim corners. A characteristic Arita iron-pigment line (縁鉄釉 fuchi-tetsuyu) runs along the scalloped lip in warm brown, framing the cool indigo.\u003c\/p\u003e\n\u003cp\u003eThe interior radial faceting plus the lifted square base + scalloped lip combination is a classical Arita \"kiriko-bachi\" silhouette — the same form language that Arita potters have used for namasu (vinegar-dressed) dishes and assorted small-plate courses (kozara mawari) since the late Edo period.\u003c\/p\u003e\n\u003ch3\u003eAbout the size designation\u003c\/h3\u003e\n\u003cp\u003eThe supplier names this as \u003cstrong\u003e5寸 (go-sun, \"five-sun\")\u003c\/strong\u003e in the catalogue line — the 寸 numeral is a Japanese pottery-trade catalogue label, not a centimetre measurement (the literal sun-conversion 5 × 3.03 cm = 15.15 cm does NOT match the actual measured dimension). Actual measured dimensions are \u003cstrong\u003e14 cm diameter × 4.5 cm height\u003c\/strong\u003e. The 5寸 designation simply places this in the \"five-sun small bowl\" category within the kiln's form repertoire.\u003c\/p\u003e\n\u003ch3\u003eAbout the kosome (古染) style\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\"Kosome\" 古染\u003c\/strong\u003e literally means \"old indigo\" and refers to a stylistic look in cobalt-underglaze porcelain that references the deep, slightly dark, slightly imperfect indigo of early 17th-century Arita work — softer than modern crystal-clear cobalt, with brush variation in the strokes. This is a \u003cstrong\u003econtemporary piece\u003c\/strong\u003e (manufacture year 2024 per the supplier spec); the kosome name describes the visual idiom, not a period attribution.\u003c\/p\u003e\n\u003ch3\u003eAbout this maker\u003c\/h3\u003e\n\u003cp\u003eMade by Nanpu \/ Arita-yaki \u0026amp; Hasami-yaki porcelain in Saga and Nagasaki Prefecture, Japan, curated by ZenKiln\u003c\/p\u003e\n\u003cp\u003e南風 (Nanpu) is the Kyushu-based porcelain distributor that supplies this piece. The exact producing-kiln within the Arita \/ Hasami corridor is not separately disclosed by the supplier — a hand-painted cobalt cursive signature appears on the base of the bowl, but it is not legible enough from photographs to attribute to a named potter. The \u003cstrong\u003e美術 有田焼 (Bijutsu-Aritayaki)\u003c\/strong\u003e gold cooperative sticker on the base places this piece within the cooperative's art-tier classification — an industry-cooperative quality designation for hand-painted Arita pieces above commodity-tier mass production.\u003c\/p\u003e\n\u003cp\u003eArita-yaki is named for the town of Arita (Saga Prefecture) where Korean potter Yi Sam-pyeong identified porcelain-grade kaolin clay at Izumiyama in 1616, making Arita Japan's first porcelain town. Sometsuke (cobalt blue underglaze) became the signature Arita style by the mid-17th century; karakusa (scrolling arabesque) is one of the foundational motifs, derived from the same Chinese decorative vocabulary that informed early Ming-export porcelain.\u003c\/p\u003e\n\u003ch3\u003eUse \u0026amp; care\u003c\/h3\u003e\n\u003cp\u003eA small everyday bowl — at home as a namasu \/ pickle dish, a small salad bowl, a side-dish bowl, a fruit \/ dessert bowl, or a small serving bowl for tapas-style courses. The sometsuke (underglaze) decoration is sealed beneath the clear gloss and is fully dishwasher- and microwave-safe at standard household cycles (consistent with modern Arita \/ Hasami practice). The iron-pigment rim line is similarly underglaze-stable. Avoid scouring pads. Stack with care — the scalloped rim is the most vulnerable edge if stacked under heavier weight.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487590826214,"sku":"ZK-BOWL-NANPU-ARITA-HASAMI-KOSOME-KARAKUSA-KIRIKO-14CM","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7481725960_khsu.jpg?v=1774922195"},{"product_id":"arita-floral-ceramic-wind-chime","title":"Hand-Painted Arita Hakuji Wind Chime, White Porcelain Floral Furin, Japanese Summer Home Decor","description":"\u003cp\u003eA hand-painted porcelain wind chime from Arita — Japan's first porcelain town, where Lee Sam-pyeong fired the country's first hakuji (white porcelain) in 1616. The dome-shaped bell is washed with a soft clear glaze and lifted by three sprays of hand-painted flowers in yellow, pink, and purple.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMaker code:\u003c\/strong\u003e KG16-19 · JAN 4965217733751\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMade by\u003c\/strong\u003e 西日本陶器 (Nishi-Nihon Toki) in Saga Prefecture, Japan — Arita-yaki tradition — curated by ZenKiln\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eGifting\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWedding, bridal shower, anniversary — heirloom-grade gift\u003c\/li\u003e\n\u003cli\u003eHousewarming and new-home — a classic Japanese new-home gift\u003c\/li\u003e\n\u003cli\u003eGraduation, Father's Day, Mother's Day, birthday — supplier gift box, ready to give\u003c\/li\u003e\n\u003cli\u003eTea-ceremony enthusiasts and lovers of Japanese craft\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eReference conversions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e7.5 cm ≈ 3.0\"\u003c\/li\u003e\n\u003cli\u003e6 cm ≈ 2.4\"\u003c\/li\u003e\n\u003cli\u003e75 g ≈ 2.6 oz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47554280030438,"sku":"ZK-FURIN-NNT-KG1619-SHIKISAIKA","price":48.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/DSC8657.webp?v=1776675143"},{"product_id":"arita-stripe-ceramic-wind-chime","title":"Arita Hakuji Wind Chime — Hand-Painted Blue \u0026 White Stripe Furin, Sometsuke Porcelain","description":"\u003cp\u003eA hand-painted porcelain wind chime from Arita — Japan's first porcelain town, where Lee Sam-pyeong fired the country's first hakuji (white porcelain) in 1616. The dome bell is wrapped in roughly thirty fine cobalt-blue stripes — the same 染付 (sometsuke) underglaze technique that defined Arita's earliest pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMaker code:\u003c\/strong\u003e KG16-15 · JAN 4965217733713\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMade by\u003c\/strong\u003e 西日本陶器 (Nishi-Nihon Toki) in Saga Prefecture, Japan — Arita-yaki tradition — curated by ZenKiln\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eAbout Arita ware and sometsuke\u003c\/h3\u003e\n\u003cp\u003eAccording to the maker's included pamphlet, Arita porcelain began in 元和二 (1616), when Lee Sam-pyeong (李参平), a Korean potter who emigrated to north Kyushu, discovered porcelain stone at Izumiyama (泉山, Saga Prefecture) and fired Japan's first porcelain at the Kamishirakawa Tengudani kiln. The earliest Arita work was decorated in 染付 (sometsuke) — cobalt-blue painting under a clear glaze on a white porcelain body — which remains the foundation of the Arita tradition today. The fine-line stripes on this piece sit squarely in that lineage, before Sakaida Kakiemon developed overglaze enamel in the early 17th century and the Dutch East India Company began shipping Arita porcelain to Europe through Imari port.\u003c\/p\u003e\n\u003ch3\u003eGifting\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFather's Day, anniversary, birthday — navy-and-white reads as masculine, classic, gift-ready\u003c\/li\u003e\n\u003cli\u003eHousewarming and new-home — a classic Japanese new-home gift\u003c\/li\u003e\n\u003cli\u003eCoastal home, beach house, Hamptons-style décor lovers\u003c\/li\u003e\n\u003cli\u003eModernists, minimalists, japandi and scandi interior fans\u003c\/li\u003e\n\u003cli\u003eTea-ceremony enthusiasts and lovers of Japanese craft\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eReference conversions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e7.5 cm ≈ 3.0\"\u003c\/li\u003e\n\u003cli\u003e6 cm ≈ 2.4\"\u003c\/li\u003e\n\u003cli\u003e75 g ≈ 2.6 oz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47554448064742,"sku":"ZK-FURIN-NNT-KG1615-LINE","price":48.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/DSC8718.webp?v=1776849083"},{"product_id":"arita-floral-ceramic-windchime","title":"Arita Hakuji Wind Chime — Hand-Painted Sakura Cherry Blossom Furin, Dami Sometsuke Porcelain","description":"\u003cp\u003eA hand-painted porcelain wind chime from Arita — Japan's first porcelain town, where Lee Sam-pyeong fired the country's first hakuji (white porcelain) in 1616. The dome bell carries the fullest expression of Arita's 染付 (sometsuke) tradition: a deep cobalt-blue ground washed in dami graded tones, large white-reserved sakura flowers (shironuki), and small red akae overglaze dots clustered inside delicate openwork (sukashi) cutouts at each blossom's heart. Two of Arita's foundational decoration languages — sometsuke (1616+) and akae (1640s+) — meet on a single piece.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMaker code:\u003c\/strong\u003e NT-733706 · JAN 4965217733706\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMade by\u003c\/strong\u003e 西日本陶器 (Nishi-Nihon Toki) \/ Arita-yaki in Saga Prefecture, Japan, curated by ZenKiln\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eAbout Arita ware, sometsuke, and dami\u003c\/h3\u003e\n\u003cp\u003eAccording to the maker's included pamphlet, Arita porcelain began in 元和二 (1616), when Lee Sam-pyeong (李参平), a Korean potter who emigrated to north Kyushu, discovered porcelain stone at Izumiyama (泉山, Saga Prefecture) and fired Japan's first porcelain at the Kamishirakawa Tengudani kiln. The earliest Arita work was 染付 (sometsuke) — cobalt-blue painting under a clear glaze on a white porcelain body. Within a generation, Sakaida Kakiemon developed 赤絵 overglaze enamel; the Dutch East India Company shipped both styles to Europe through Imari port. This piece carries both languages in the same object: dami (濃) — the graded-wash technique that gives the cobalt its rich, water-like depth — and akae — the small red dots painted on after the second firing.\u003c\/p\u003e\n\u003ch3\u003eUse \u0026amp; gifting\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWedding, bridal shower, anniversary — sakura (cherry blossom) is Japan's classic wedding flower\u003c\/li\u003e\n\u003cli\u003eHousewarming and new-home — furin are a traditional Japanese new-home gift\u003c\/li\u003e\n\u003cli\u003eMother's Day, Father's Day, birthday — gift-boxed with the maker's pamphlet, ready to give\u003c\/li\u003e\n\u003cli\u003eTea-ceremony enthusiasts and lovers of Japanese 染付 craft\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eReference conversions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e7.5 cm ≈ 3.0\"\u003c\/li\u003e\n\u003cli\u003e6 cm ≈ 2.4\"\u003c\/li\u003e\n\u003cli\u003e90 g ≈ 3.2 oz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47554741141734,"sku":"ZK-FURIN-NNT-NT733706-DAMI-SAKURA","price":58.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/DSC8679.webp?v=1776693862"},{"product_id":"fukagawa-seiji-iro-e-saiji-iridescent-vase","title":"Fukagawa Seiji Iridescent Porcelain Vase — Iro-e Saiji Hanaike, Gold Rim, Arita","description":"\u003cp\u003e\u003cstrong\u003eIridescent porcelain vase by Fukagawa Seiji — the Arita house historically recognized as a supplier to the Japanese Imperial Household since 1910 and won the Grand Prix at the 1900 Paris Exposition. This contemporary piece is from the brand's Harmony series, made with the house's signature Iro-e Saiji (色絵彩磁) overglaze technique and finished with a 24K-style gold rim.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eWhat this is\u003c\/h3\u003e\n\u003cp\u003eA single-stem hanaike (花生 \/ flower vessel) in classic Japanese teardrop form: narrow neck flaring to a slightly everted lip, full pear-shaped body, and a shallow porcelain foot. The exterior carries Fukagawa Seiji's Iro-e Saiji pearlescent gradient — drifting from soft lavender at the shoulder, through pale celadon and sage, into a warm peach belly, and back to ivory at the foot. A fine gold band rings the rim.\u003c\/p\u003e\n\u003cp\u003eThe underside carries the Fukagawa Seiji house mark: the stylised Mt. Fuji + flowing-water (富士流水) icon above the technique stamp 「色絵彩磁」 in cobalt blue underglaze.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eForm\u003c\/strong\u003e: hanaike \/ single-stem flower vase, teardrop body with everted lip\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnique\u003c\/strong\u003e: Iro-e Saiji (色絵彩磁) — Fukagawa Seiji's patented high-fire overglaze technique, developed in the late Meiji period; colours are stable and do not fade\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSurface\u003c\/strong\u003e: pearlescent \/ iridescent pastel gradient (lavender → celadon → sage → peach → ivory) with gold rim\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSeries\u003c\/strong\u003e: Harmony G — Fukagawa Seiji's contemporary decorative line\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade by\u003c\/strong\u003e Fukagawa Seiji in Arita, Saga Prefecture, Japan, curated by ZenKiln\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAbout the maker — Fukagawa Seiji\u003c\/h3\u003e\n\u003cp\u003eFukagawa Seiji (深川製磁) was founded in 1894 in Arita, Saga, by Fukagawa Tadatsugu, a descendant of the six-generation Imari-Arita Fukagawa pottery clan. The house's reputation rests on three milestones in Japanese ceramic history:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1900\u003c\/strong\u003e — Grand Prix (highest gold medal) at the Paris Exposition Universelle, for the maker's Iro-e Saiji vases. This award placed Fukagawa among the first Japanese porcelain houses recognised internationally.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1910\u003c\/strong\u003e — Officially designated by the Japanese Imperial Household Ministry (宮内省御用達（1910 historical record）), a designation that Fukagawa Seiji has historical documentation for through the Taishō, Shōwa, Heisei, and Reiwa eras.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIro-e Saiji\u003c\/strong\u003e — the maker's signature technique, developed by Fukagawa Tadatsugu: overglaze enamels fused into the porcelain at high temperature in a single firing. The colours fuse into the glaze rather than sitting on top of it, giving Fukagawa pieces their characteristic depth and longevity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe piece you're looking at is from the Harmony series — Fukagawa Seiji's contemporary decorative range that applies the house's Iro-e Saiji technique to softer, more modern colour palettes. It is not an antique or vintage piece; it is a current-production studio piece by the heritage brand.\u003c\/p\u003e\n\u003ch3\u003eHow to use \/ who it's for\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSingle-stem ikebana with seasonal branches — plum, cherry blossom, camellia, autumn maple, pine\u003c\/li\u003e\n\u003cli\u003eStandalone shelf, mantel, or tokonoma decor without flowers — the iridescent surface reads differently under each light source\u003c\/li\u003e\n\u003cli\u003eA wedding, anniversary, or housewarming gift for a collector of fine Japanese porcelain or historical Imperial-supplier ware\u003c\/li\u003e\n\u003cli\u003eA reference example of the Harmony series' contemporary application of Iro-e Saiji\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47642126942438,"sku":null,"price":300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/6a0f48436f03bf48e8c7f28f9f150b4c_f93adc39-bb1c-4962-ad96-d39b444edbc0.png?v=1780218456"},{"product_id":"arita-hakuji-wind-chime-sazanka-camellia-sen-byou-furin","title":"Arita Hakuji Wind Chime — Hand-Painted Sazanka Camellia Furin, Sen-byou Sometsuke Porcelain","description":"\u003cp\u003eA hand-painted porcelain wind chime from Arita — Japan's first porcelain town, where Lee Sam-pyeong fired the country's first hakuji (white porcelain) in 1616. The dome bell is washed with white porcelain glaze and drawn over with sazanka (山茶花 \/ Camellia sasanqua) blossoms in pure cobalt-blue 染付 line — the foundational sometsuke technique called sen-byou, where the flowers exist as outline only, with no fill. Small openwork (sukashi) cutouts mark each blossom's heart, letting the air through and softening the chime's tone.\u003c\/p\u003e\n\u003cp\u003eCamellia blooms in late autumn through early winter — the iconic flower of Japanese tea ceremony (chabana) — making this the seasonal complement to spring's sakura motif.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMaker code:\u003c\/strong\u003e NT-733690 · JAN 4965217733690\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMade by\u003c\/strong\u003e 西日本陶器 (Nishi-Nihon Toki) \/ Arita-yaki in Saga Prefecture, Japan, curated by ZenKiln\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eAbout Arita ware, sometsuke, and sen-byou\u003c\/h3\u003e\n\u003cp\u003eAccording to the maker's included pamphlet, Arita porcelain began in 元和二 (1616), when Lee Sam-pyeong (李参平), a Korean potter who emigrated to north Kyushu, discovered porcelain stone at Izumiyama (泉山, Saga Prefecture) and fired Japan's first porcelain at the Kamishirakawa Tengudani kiln. The earliest Arita work was 染付 (sometsuke) — cobalt-blue painting under a clear glaze on a white porcelain body. The most restrained version of that tradition is 線描 (sen-byou): outline only, no fill, no shading. It's the technique that lets the white porcelain breathe — and it's what gives this piece its airy, contemporary feel despite its 17th-century lineage.\u003c\/p\u003e\n\u003ch3\u003eUse \u0026amp; gifting\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTea ceremony (sadō) practitioners and chanoyu students — camellia is the chabana for autumn-winter chaji\u003c\/li\u003e\n\u003cli\u003eAnniversary, housewarming, birthday — quietly elegant ceremonial gift\u003c\/li\u003e\n\u003cli\u003eFather's Day — masculine restrained palette\u003c\/li\u003e\n\u003cli\u003eLovers of japandi, wabi-sabi, and minimalist Japanese aesthetics\u003c\/li\u003e\n\u003cli\u003eWindow, eave, or covered porch — the sukashi cutouts give the chime a softer, more diffuse tone than solid-bodied bells\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eReference conversions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e7.5 cm ≈ 3.0\"\u003c\/li\u003e\n\u003cli\u003e6 cm ≈ 2.4\"\u003c\/li\u003e\n\u003cli\u003e90 g ≈ 3.2 oz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47656191983846,"sku":"ZK-FURIN-NNT-NT733690-SAZANKA","price":58.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/DSC8667.webp?v=1778662357"}],"url":"https:\/\/zen-kiln.com\/en-cz\/collections\/arita-hasami-ware.oembed","provider":"ZenKiln","version":"1.0","type":"link"}