{"title":"Porcelain","description":"\u003cp\u003eJapanese porcelain (jiki) ware — fine-grained, hard-fired white-body ceramics from Arita, Kutani, Hasami, and other porcelain kilns. Translucent in section, durable for daily use.\u003c\/p\u003e","products":[{"product_id":"kutani-double-paw-maneki-neko","title":"Kutani Maneki Neko Lucky Cat — Chōhō Kiln Both Paws Up Hanazono 12 cm","description":"\u003cp\u003e\u003cstrong\u003eKutani Maneki Neko, Both Paws Up — Chōhō Kiln \"Hanazono\" (Flower Garden) Lucky Cat 12cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA hand-painted Kutani-yaki lucky cat figurine by \u003cstrong\u003eChōhō Kiln (九谷 長峰; the kanji is also read Nagamine)\u003c\/strong\u003e, distributed by 九谷焼の陶寿堂 (Tōjudō) in Komatsu, Ishikawa Prefecture — the historical heart of Kutani-yaki.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe both-paws-raised form\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe familiar one-paw maneki neko comes in two well-known variants: the right paw raised \u003cem\u003e\"calls in good fortune (福)\"\u003c\/em\u003e and the left paw raised \u003cem\u003e\"calls in customers (商売繁盛).\"\u003c\/em\u003e The both-paws-up version pictured here brings the two together — read in shop culture as inviting both flows at once, a small gesture that suits a new business, a new home, or a desk that could use a little more luck.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe \"Hanazono\" (Flower Garden) decoration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAround the cat's body, Chōhō Kiln has piped the outlines of a flower garden in raised slip — a Kutani technique called \u003cem\u003e盛り絵 (mori-e)\u003c\/em\u003e — and filled them with overglaze enamel:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePink rose on the back\u003c\/li\u003e\n\u003cli\u003eOrange peony \/ chrysanthemum medallions on the sides\u003c\/li\u003e\n\u003cli\u003eYellow daisy and blue chrysanthemum rosette\u003c\/li\u003e\n\u003cli\u003eGreen leaves and white dots scattered across the white porcelain body\u003c\/li\u003e\n\u003cli\u003eA pale-blue dotted collar with a small gold bell at the throat, tied at the back with a matching blue bow\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe base is signed \u003cstrong\u003e九谷 長峰\u003c\/strong\u003e in red brush, with the kiln's raised relief mark — visible in the bottom photo.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize and use\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompact at W 7 × D 7 × H 12 cm (≈ 2.76 × 2.76 × 4.72 in), the figurine fits an entryway shelf, a tea-table corner, a shop counter, or a desk shelf. Hollow inside (kiln-firing standard) — \u003cem\u003enot a coin bank; there is no money slot.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKutani-yaki porcelain maneki neko, both paws raised\u003c\/li\u003e\n\u003cli\u003eProducer kiln: \u003cstrong\u003eChōhō Kiln (九谷 長峰; alt. reading Nagamine)\u003c\/strong\u003e, Ishikawa Prefecture\u003c\/li\u003e\n\u003cli\u003eDistributor: 九谷焼の陶寿堂 (Tōjudō)\u003c\/li\u003e\n\u003cli\u003ePattern: \u003cem\u003eHanazono (花園 \/ Flower Garden)\u003c\/em\u003e, raised mori-e slip + overglaze enamel\u003c\/li\u003e\n\u003cli\u003eForm-class label: \u003cstrong\u003e4号 (4-gō, supplier catalogue label — NOT a centimetre measurement)\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eActual size: W 7 × D 7 × H 12 cm (2.76 × 2.76 × 4.72 in)\u003c\/li\u003e\n\u003cli\u003eMaterial: Porcelain (supplier-stated 陶磁器 \/ ceramic ware; vitrified white body with gold-leaf bell accent)\u003c\/li\u003e\n\u003cli\u003eOrigin: Japan\u003c\/li\u003e\n\u003cli\u003ePackaging: Paper presentation box included\u003c\/li\u003e\n\u003cli\u003eMaker code: K9-1541\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCare:\u003c\/strong\u003e As a hand-painted figurine with gold-leaf accents, this piece is for display only — not food-safe, not dishwasher\/microwave safe. Dust with a soft dry brush or microfibre cloth. Slight variations in colour depth, brushwork, and floral placement are part of how each piece is decorated by hand.\u003c\/p\u003e\n\u003cp\u003e• Made by Chōhō Kiln \/ Kutani-yaki in Ishikawa Prefecture, Japan, curated by ZenKiln. Distributed via 九谷焼の陶寿堂 (Tōjudō).\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487575064806,"sku":"ZK-FIGURINE-CHOHO-MANEKI-HANAZONO-12CM","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7476752089_e85s.jpg?v=1774622190"},{"product_id":"arita-green-floral-demitasse-cup-saucer","title":"Arita Hexagon Demitasse Cup \u0026 Saucer — Floral Set","description":"\u003cp\u003e\u003cstrong\u003eHand-painted Arita\/Hasami hexagonal demitasse cup \u0026amp; saucer\u003c\/strong\u003e in the supplier's \u003cem\u003e花絵間取綠 Hana-e Madori Midori\u003c\/em\u003e (\"Floral-Picture Reservation, Green\") pattern. Green overglaze rim wash + sumi-ink brushwork reservations + orange-red akae florets + turquoise\/yellow\/cobalt enamel dot accents on the characteristic iron-spot-speckled Arita-Hasami border-kiln porcelain body. Original navy-blue gift box with 美術 有田焼 (Bijutsu Arita-yaki) certification sticker on saucer underside.\u003c\/p\u003e\n\u003ch3\u003eWorkshop \u0026amp; tradition\u003c\/h3\u003e\n\u003cp\u003eArita (有田焼) and Hasami (波佐見焼) are two of Japan's most prestigious porcelain traditions — both designated 経済産業大臣指定伝統的工芸品 (Traditional Crafts) — produced in neighbouring towns on the Saga–Nagasaki border. Many border-region kilns produce ware that is classified as both, and this set is one of those: a hand-painted hexagonal demitasse co-classified as Arita\/Hasami porcelain, distributed via 南風 Nanpu (a long-established Saga\/Nagasaki-region porcelain wholesaler).\u003c\/p\u003e\n\u003ch3\u003ePattern \u0026amp; design\u003c\/h3\u003e\n\u003cp\u003eThe pattern name \u003cem\u003e花絵間取綠\u003c\/em\u003e breaks down as: \u003cstrong\u003e花絵\u003c\/strong\u003e (\u003cem\u003ehana-e\u003c\/em\u003e, \"floral picture\") + \u003cstrong\u003e間取\u003c\/strong\u003e (\u003cem\u003emadori\u003c\/em\u003e, the painter's reservation or framed window inside which the decoration sits) + \u003cstrong\u003e綠\u003c\/strong\u003e (\u003cem\u003emidori\u003c\/em\u003e, green — the colour that anchors the rim wash). The hexagonal cup form lends itself naturally to madori: each of the six panels of the cup, and each segment of the saucer, becomes its own small painted scene.\u003c\/p\u003e\n\u003ch3\u003eUse cases\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEspresso \/ strong-brew coffee service (100 mL demitasse capacity)\u003c\/li\u003e\n\u003cli\u003eJapanese sencha or genmaicha tea in a small portion\u003c\/li\u003e\n\u003cli\u003eDisplay-as-art: the hexagonal facets read beautifully on an open shelf\u003c\/li\u003e\n\u003cli\u003eGift: wedding, anniversary, corporate executive, housewarming\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is a demitasse?\u003c\/strong\u003e A demitasse is a small \"half-cup\" — typically 60–100 mL — used in Europe for espresso and in Japan for strong tea or coffee. This piece is 100 mL.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArita or Hasami?\u003c\/strong\u003e Both. The kiln sits in the Saga–Nagasaki border region where Arita-cho and Hasami-cho meet, and the supplier classifies the production as both Arita-yaki and Hasami-yaki traditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs it microwave or dishwasher safe?\u003c\/strong\u003e Not confirmed by the supplier. We recommend hand-wash only with mild soap and lukewarm water to preserve the hand-painted overglaze decoration.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487584174310,"sku":"ZK-CUP-NANPU-ITM5946","price":68.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7668563885_r5rz.jpg?v=1774622226"},{"product_id":"arita-hexagon-demitasse-cup-saucer","title":"Arita Hexagon Demitasse Cup \u0026 Saucer — Diamond Set","description":"\u003cp\u003e\u003cstrong\u003eHand-painted Arita\/Hasami hexagonal demitasse cup \u0026amp; saucer\u003c\/strong\u003e in the supplier's \u003cem\u003e染錦菱紋 Some-nishiki Hishi-mon\u003c\/em\u003e (\"Sometsuke + Polychrome-Brocade Diamond-Lattice\") pattern. Pale cobalt sometsuke (underglaze) diamond grid + red, green, gold, yellow, black overglaze enamels filling alternating cells — the canonical Old-Imari \/ Kakiemon-school technique on the characteristic iron-spot-speckled Arita-Hasami porcelain body. Original navy gift box + 美術 有田焼 certification sticker on saucer underside.\u003c\/p\u003e\n\u003ch3\u003eWorkshop \u0026amp; tradition\u003c\/h3\u003e\n\u003cp\u003eArita (有田焼) and Hasami (波佐見焼) are two of Japan's most prestigious porcelain traditions — both designated 経済産業大臣指定伝統的工芸品 (Traditional Crafts) — produced in neighbouring towns on the Saga–Nagasaki border. Many border-region kilns produce ware classified as both, and this set is one of those: a hand-painted hexagonal demitasse co-classified as Arita+Hasami porcelain, distributed via 南風 Nanpu.\u003c\/p\u003e\n\u003ch3\u003eWhat is the pattern?\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e染錦菱紋 Some-nishiki Hishi-mon\u003c\/em\u003e: \u003cstrong\u003e染\u003c\/strong\u003e (\u003cem\u003esometsuke\u003c\/em\u003e, underglaze cobalt) + \u003cstrong\u003e錦\u003c\/strong\u003e (\u003cem\u003enishikide\u003c\/em\u003e, polychrome overglaze brocade) + \u003cstrong\u003e菱紋\u003c\/strong\u003e (\u003cem\u003ehishi-mon\u003c\/em\u003e, diamond crest). A pale-blue cobalt diamond grid lays the structural pattern, and red\/green\/gold\/yellow\/black overglaze enamels fill alternating cells with miniature framed diamonds. The combination of sometsuke base + nishikide overlay is the canonical Old-Imari \/ Kakiemon-school decorative technique.\u003c\/p\u003e\n\u003ch3\u003eUse cases\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEspresso \/ strong-brew coffee service (100 mL)\u003c\/li\u003e\n\u003cli\u003eJapanese sencha tea in a small portion\u003c\/li\u003e\n\u003cli\u003eDisplay-as-art — the diamond lattice + hexagonal form together create a kaleidoscopic table presence\u003c\/li\u003e\n\u003cli\u003eGift: wedding, anniversary, corporate executive, housewarming, mid-century-modern collector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eIs it microwave or dishwasher safe?\u003c\/strong\u003e Not confirmed by the supplier. The gold (kinsai) enamel accents are specifically incompatible with microwave use, and the polychrome overglaze enamels will abrade in a dishwasher cycle. Hand-wash only with mild soap and lukewarm water.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArita or Hasami?\u003c\/strong\u003e Both. The kiln sits on the Saga–Nagasaki border where Arita-cho and Hasami-cho meet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs there a matching floral variant?\u003c\/strong\u003e Yes — see our 花絵間取綠 Hana-e Madori Midori hexagon demitasse (same form, same Nanpu workshop run).\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487584403686,"sku":"ZK-CUP-NANPU-ITM5947","price":68.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7620438546_73nc.jpg?v=1774622227"},{"product_id":"arita-hasami-tsugumi-bird-leaf-plate","title":"Arita Hasami Leaf Plate, Hand-Painted Thrush Birds on Berry Branch 15 cm","description":"\u003cp\u003eA small leaf-shaped porcelain plate from the Arita-yaki \/ Hasami-yaki neighbouring porcelain regions of Kyushu, hand-painted with two thrush birds — one perched in cobalt blue on a slim red branch hung with red berries and green leaf-buds, one walking below in orange and black. The supplier classifies this piece under both \u003cstrong\u003eArita-yaki (有田焼)\u003c\/strong\u003e and \u003cstrong\u003eHasami-yaki (波佐見焼)\u003c\/strong\u003e — two neighbouring porcelain traditions on either side of the Saga \/ Nagasaki prefectural border, both designated METI Traditional Crafts (Arita 1977, Hasami 1978), sharing the same kaolin clay, the same 1300°C reduction firing, and the same overglaze-enamel decorative idiom.\u003c\/p\u003e\n\u003cp\u003eThe plate's silhouette is shaped like a single leaf — wider in the middle, tapering to a soft point at each end — and the painted \"branch\" runs diagonally across the surface to echo the plate's own outline, with the blue bird at one end of the branch and the walking orange bird offset toward the opposite end. The motif is read as \u003cstrong\u003eki-no-ha 木の葉\u003c\/strong\u003e (leaf) plus \u003cstrong\u003etsugumi 鴫\u003c\/strong\u003e (thrush) — a quiet pairing from Japanese seasonal vocabulary, where thrushes are associated with autumn and winter berry-eating.\u003c\/p\u003e\n\u003cp\u003eThe base of the plate carries a hand-brushed cobalt-blue kanji signature — \u003cstrong\u003e寿 (kotobuki)\u003c\/strong\u003e, \"longevity \/ felicitation\" — applied in underglaze beneath the clear gloss. The signature is presented as observed; we have not been able to attribute it to a specific named workshop with certainty.\u003c\/p\u003e\n\u003ch3\u003eAbout this maker\u003c\/h3\u003e\n\u003cp\u003eMade by Nanpu \/ Arita-yaki \u0026amp; Hasami-yaki porcelain in Saga and Nagasaki Prefecture, Japan, curated by ZenKiln\u003c\/p\u003e\n\u003cp\u003e南風 (Nanpu) is the Kyushu-based distributor that supplies this plate; it sits across both the Arita and Hasami porcelain corridors. Arita and Hasami are two neighbouring porcelain towns — Arita (Saga) is the older, more famous of the two (Japan's first porcelain town, 1616), while Hasami (Nagasaki) historically produced the everyday tableware that ran in parallel volumes to Arita's higher-grade and export wares. In modern practice the two have converged in many product lines, which is why the supplier names both ware-lines on the package.\u003c\/p\u003e\n\u003ch3\u003eUse \u0026amp; care\u003c\/h3\u003e\n\u003cp\u003eSuitable for everyday use as a side-dish plate, sweets plate (kashizara 菓子皿), or display piece. The supplier confirms both microwave and dishwasher safe. Iroe overglaze decoration is more durable than gold accents and tolerates standard dishwasher cycles. Avoid scouring pads on the painted areas.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487590039782,"sku":"ZK-PLATE-NANPU-ARITA-HASAMI-TSUGUMI-LEAF-15CM","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7490061328_klt9.jpg?v=1774622249"},{"product_id":"arita-yunomi-tea-cup","title":"Arita Hasami Soba Choko, Tokushichi-Gama Hand-Painted Cherry Yunomi 8 cm","description":"\u003cp\u003eA small porcelain cup from \u003cstrong\u003eTokushichi-gama (徳七窯)\u003c\/strong\u003e, distributed by \u003cstrong\u003eNanpu (南風)\u003c\/strong\u003e out of the Arita \/ Hasami porcelain corridor on the Saga \/ Nagasaki prefectural border. Both \u003cstrong\u003eArita-yaki (有田焼)\u003c\/strong\u003e and \u003cstrong\u003eHasami-yaki (波佐見焼)\u003c\/strong\u003e are designated METI Traditional Crafts (Arita 1977, Hasami 1978), and many modern kilns straddle both classifications because they share the same kaolin clay, the same 1300°C reduction firing, and the same overglaze-enamel decorative idiom. The supplier names this kiln on the package as belonging to both ware-lines.\u003c\/p\u003e\n\u003cp\u003eThe form is a \u003cstrong\u003eそば猟口 soba choko\u003c\/strong\u003e — the small tapered cup the Edo-period Arita potters first developed in the late 1600s to hold dipping sauce for cold soba noodles — and the supplier explicitly lists the same vessel as a \u003cstrong\u003e湯呑 yunomi\u003c\/strong\u003e, an everyday tea cup. At 160 ml capacity and 8 cm diameter \/ 6.5 cm height, it sits in the size band where either use is comfortable. In a Japanese home it serves equally well as soba dipping cup, tea cup, sake cup (large pour), small dessert cup, or sauce \/ dressing ramekin.\u003c\/p\u003e\n\u003cp\u003eThe decoration is hand-painted (手描 tegaki). The motif reads as \u003cstrong\u003esakuranbo (さくらんぼ \/ 桜桃)\u003c\/strong\u003e — clustered cherry fruits, painted as soft red bossed dots scattered across the white porcelain surface, each one ringed by an unglazed thin halo where the iron-oxide enamel meets the clear gloss, and connected by slim brown iron-pigment branch-stems that fork and bend across the body. The painting is loose and gestural rather than tightly drafted — the kind of brushwork that makes each piece slightly different from its neighbours on the kiln shelf, which is part of the appeal of hand-painted commodity-tier Arita\/Hasami work.\u003c\/p\u003e\n\u003ch3\u003eAbout this maker\u003c\/h3\u003e\n\u003cp\u003eMade by Tokushichi-gama \/ Arita-yaki \u0026amp; Hasami-yaki porcelain in Saga and Nagasaki Prefecture, Japan, curated by ZenKiln\u003c\/p\u003e\n\u003cp\u003e徳七窯 (Tokushichi-gama) is a porcelain kiln that produces hand-painted everyday tableware in the Arita \/ Hasami corridor — supplied to the Japanese domestic market through Nanpu (南風), the Kyushu-based distributor. Arita is older and more famous (Japan's first porcelain town, 1616, founded after Korean potter Yi Sam-pyeong identified kaolin at Izumiyama), while Hasami in neighbouring Nagasaki ran in parallel through the same Edo centuries, producing the higher-volume everyday porcelain that supplied Japan's daily tables. In modern practice the two regions share kilns, techniques, and distributors, which is why the supplier names both ware-lines on this kiln's package.\u003c\/p\u003e\n\u003ch3\u003eUse \u0026amp; care\u003c\/h3\u003e\n\u003cp\u003eA dual-purpose vessel — equally at home as soba dipping cup, daily tea cup, small dessert cup, or condiment ramekin. Hand-wash recommended for the hand-painted decoration; microwave and dishwasher safety not specified by the supplier on the user-provided spec sheet, so we default to conservative care guidance — confirm with us before machine-washing or microwaving. Avoid scouring pads on the painted areas.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487590334694,"sku":"ZK-CUP-TOKUSHICHIGAMA-SAKURANBO-SOBA-CHOKO-8CM","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7537980217_kuem.jpg?v=1774970961"},{"product_id":"arita-blue-arabesque-bowl","title":"Arita Hasami Faceted Bowl, Blue and White Sometsuke Arabesque 14 cm","description":"\u003cp\u003eA small porcelain bowl from the Arita \/ Hasami porcelain corridor on the Saga \/ Nagasaki prefectural border — supplied by \u003cstrong\u003eNanpu (南風)\u003c\/strong\u003e, the Kyushu-based distributor — hand-painted in cobalt-blue \u003cstrong\u003esometsuke (染付)\u003c\/strong\u003e with a \u003cstrong\u003ekosome karakusa (古染唐草)\u003c\/strong\u003e scrolling arabesque motif. Both \u003cstrong\u003eArita-yaki (有田焼)\u003c\/strong\u003e and \u003cstrong\u003eHasami-yaki (波佐見焼)\u003c\/strong\u003e are designated METI Traditional Crafts (Arita 1977, Hasami 1978); the supplier names both ware-lines on the package, which is common practice for kilns that straddle the two regions' shared porcelain industry.\u003c\/p\u003e\n\u003cp\u003eThe bowl is built in a faceted (切子 kiriko) form — radial pleated panels running from the recessed square center base up to a wavy scalloped rim. The cobalt arabesque motif is concentrated at four panels of the upper inner wall (where it reads as four floral medallions when viewed from above), with smaller leaf and scroll accents at the rim corners. A characteristic Arita iron-pigment line (縁鉄釉 fuchi-tetsuyu) runs along the scalloped lip in warm brown, framing the cool indigo.\u003c\/p\u003e\n\u003cp\u003eThe interior radial faceting plus the lifted square base + scalloped lip combination is a classical Arita \"kiriko-bachi\" silhouette — the same form language that Arita potters have used for namasu (vinegar-dressed) dishes and assorted small-plate courses (kozara mawari) since the late Edo period.\u003c\/p\u003e\n\u003ch3\u003eAbout the size designation\u003c\/h3\u003e\n\u003cp\u003eThe supplier names this as \u003cstrong\u003e5寸 (go-sun, \"five-sun\")\u003c\/strong\u003e in the catalogue line — the 寸 numeral is a Japanese pottery-trade catalogue label, not a centimetre measurement (the literal sun-conversion 5 × 3.03 cm = 15.15 cm does NOT match the actual measured dimension). Actual measured dimensions are \u003cstrong\u003e14 cm diameter × 4.5 cm height\u003c\/strong\u003e. The 5寸 designation simply places this in the \"five-sun small bowl\" category within the kiln's form repertoire.\u003c\/p\u003e\n\u003ch3\u003eAbout the kosome (古染) style\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\"Kosome\" 古染\u003c\/strong\u003e literally means \"old indigo\" and refers to a stylistic look in cobalt-underglaze porcelain that references the deep, slightly dark, slightly imperfect indigo of early 17th-century Arita work — softer than modern crystal-clear cobalt, with brush variation in the strokes. This is a \u003cstrong\u003econtemporary piece\u003c\/strong\u003e (manufacture year 2024 per the supplier spec); the kosome name describes the visual idiom, not a period attribution.\u003c\/p\u003e\n\u003ch3\u003eAbout this maker\u003c\/h3\u003e\n\u003cp\u003eMade by Nanpu \/ Arita-yaki \u0026amp; Hasami-yaki porcelain in Saga and Nagasaki Prefecture, Japan, curated by ZenKiln\u003c\/p\u003e\n\u003cp\u003e南風 (Nanpu) is the Kyushu-based porcelain distributor that supplies this piece. The exact producing-kiln within the Arita \/ Hasami corridor is not separately disclosed by the supplier — a hand-painted cobalt cursive signature appears on the base of the bowl, but it is not legible enough from photographs to attribute to a named potter. The \u003cstrong\u003e美術 有田焼 (Bijutsu-Aritayaki)\u003c\/strong\u003e gold cooperative sticker on the base places this piece within the cooperative's art-tier classification — an industry-cooperative quality designation for hand-painted Arita pieces above commodity-tier mass production.\u003c\/p\u003e\n\u003cp\u003eArita-yaki is named for the town of Arita (Saga Prefecture) where Korean potter Yi Sam-pyeong identified porcelain-grade kaolin clay at Izumiyama in 1616, making Arita Japan's first porcelain town. Sometsuke (cobalt blue underglaze) became the signature Arita style by the mid-17th century; karakusa (scrolling arabesque) is one of the foundational motifs, derived from the same Chinese decorative vocabulary that informed early Ming-export porcelain.\u003c\/p\u003e\n\u003ch3\u003eUse \u0026amp; care\u003c\/h3\u003e\n\u003cp\u003eA small everyday bowl — at home as a namasu \/ pickle dish, a small salad bowl, a side-dish bowl, a fruit \/ dessert bowl, or a small serving bowl for tapas-style courses. The sometsuke (underglaze) decoration is sealed beneath the clear gloss and is fully dishwasher- and microwave-safe at standard household cycles (consistent with modern Arita \/ Hasami practice). The iron-pigment rim line is similarly underglaze-stable. Avoid scouring pads. Stack with care — the scalloped rim is the most vulnerable edge if stacked under heavier weight.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47487590826214,"sku":"ZK-BOWL-NANPU-ARITA-HASAMI-KOSOME-KARAKUSA-KIRIKO-14CM","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/il_fullxfull.7481725960_khsu.jpg?v=1774922195"},{"product_id":"kutani-yellow-camellia-small-plate-set-of-5","title":"Kutani Yellow-Iroe Tsubaki 5pc Plate Set — Hand-Painted Meimei-Zara 14.5 cm","description":"\u003cp\u003e\u003cstrong\u003eKutani \"Ki-sai Tsubaki\" Yellow-Iroe Camellia 5pc Plate Set — Hand-Painted Meimei-Zara via Tōjudō (Ø 14.5 cm × 5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eThe pattern — Ki-sai Tsubaki\u003c\/h3\u003e\n\u003cp\u003eThe supplier's name for this design is \u003cstrong\u003e黄彩椿 (Ki-sai Tsubaki)\u003c\/strong\u003e — \"yellow-coloration camellia.\" Tsubaki (椿 \/ \u003cem\u003eCamellia japonica\u003c\/em\u003e) is one of Japan's canonical kachō (birds-and-flowers) motifs, read traditionally as a symbol of longevity, fidelity, and graceful aging — the winter-blooming flower associated with the tea-ceremony's chabana floral arrangement in January. Each plate carries two blossoms hand-painted by the kiln: an upper white camellia with delicate red-line edging and small yellow stamens, and a lower full orange-red bloom — joined by a dark-brown branch with green iroe leaves, all floating against the yellow ground's fine speckle field. The plate's rim is wrapped in a deep purple-brown vertical-stroke wash that frames the composition.\u003c\/p\u003e\n\u003ch3\u003eThe set\u003c\/h3\u003e\n\u003cp\u003eFive matched plates, each Ø 14.5 cm (5.7 in \/ supplier catalogue 4.8号) with a soft-square slight-wave (\u003cem\u003ehanda-gata\u003c\/em\u003e) rim — the rim's intentional irregularity is part of the handmade-feel finish typical of Kutani modern artisanal commodity-tier. The 14.5 cm size is the classic \u003cem\u003emeimei-zara\u003c\/em\u003e (銘々皿 \/ individual small plate) form, sized for individual servings of wagashi, dessert, sweets-with-tea, small appetizers, sashimi-side, pickle-side, or as personal share plates at a table setting. Set of 5 is the conventional Japanese full-table grouping (5人組 \/ 5-person grouping), suitable for both daily use and gift presentation.\u003c\/p\u003e\n\u003ch3\u003eAbout the body\u003c\/h3\u003e\n\u003cp\u003eThe supplier did not provide an explicit material spec for this SKU, but the observed white underside (Photo 3) and the Kutani-yaki tradition norm together indicate this is a fine porcelain (磁器) body — Kutani's standard material class. We mention the lack of explicit supplier spec for transparency; if you require certified material confirmation, contact us and we can request supplier confirmation before shipping.\u003c\/p\u003e\n\u003ch3\u003eAbout the underside seal\u003c\/h3\u003e\n\u003cp\u003eThe plates carry a small turquoise-green underglaze square seal on the underside (Photo 3) — a Kutani signature mark. The seal's calligraphic strokes are present but at our photo resolution are not crisply legible, so we attribute this set generically as \"Kutani via Tōjudō K9-180\" rather than naming a specific kiln. If we encounter a clearer reading on the physical inventory, we may update this attribution.\u003c\/p\u003e\n\u003cp\u003e• Made by Kutani-yaki via Tojudo in Ishikawa Prefecture, Japan, curated by ZenKiln.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47512868749542,"sku":"ZK-KUTANI-KIIROE-TSUBAKI-5PC-PLATE","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/CaptureOneCatalog0031.webp?v=1775963508"},{"product_id":"kutani-bird-wine-cup-set-of-2","title":"Kutani Wine Cup Pair — Bizan Kiln Kotori Shunshū Spring Autumn Bird 15 cm","description":"\u003cp\u003e\u003cstrong\u003eKutani Bizan Kiln \"Kotori Shunshū\" Spring \u0026amp; Autumn Songbird Wine Cup Pair — Gold-Stem Goblets, Ø 7.2 × H 15 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA paired set of two Kutani-yaki wine cups from \u003cstrong\u003e九谷 美山 (Bizan-gama \/ Bizan Kiln)\u003c\/strong\u003e, Ishikawa Prefecture, distributed by 九谷焼の陶寿堂 (Tōjudō). The supplier's name for this design is \u003cem\u003e小鳥春秋 (Kotori Shunshū)\u003c\/em\u003e — literally \"Little Birds, Spring \u0026amp; Autumn\" — a paired set of two cups divided by season: one for spring, one for autumn.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe paired motif\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is one of Japan's most beloved decorative idioms: \u003cem\u003e花鳥 (kachō \/ \"birds-and-flowers\")\u003c\/em\u003e, divided across two cups so the pair stands for the turning year.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpring cup\u003c\/strong\u003e — A brown sakura branch sweeps across the white porcelain ground, hung with pink, white, and yellow cherry blossoms and teal leaves; a small blue songbird perches mid-branch, looking up at the new flowers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutumn cup\u003c\/strong\u003e — The same branch reappears in autumn light: teal and green Japanese-maple (momiji) leaves in their late-October flush; a small brown-and-blue songbird perches in the same spot, looking down at the falling leaves.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBoth birds are painted in the \u003cem\u003egosai (五彩)\u003c\/em\u003e Kutani palette — red, green, yellow, purple, cobalt blue — outlined in iron-red and filled with hand-applied iroe overglaze enamel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe form\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA 21st-century Western wine-glass silhouette executed in Japanese craft: porcelain bowl + slim gold-toned metal stem + wide circular foot. Each cup is Ø 7.2 × H 15 cm (≈ 2.83 × 5.91 in) overall, holding roughly 100–140 ml of wine (approximate, not supplier-stated). The cups stand together as a his-and-hers \/ spring-and-autumn \/ kanpai pairing — well suited to a couple's anniversary, an engagement gift, or simply two glasses of plum wine on a quiet evening.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe kiln seal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach cup carries the red square \u003cstrong\u003e九谷 美山 (Kutani Bizan)\u003c\/strong\u003e seal in red brush on the porcelain body, just above the join with the metal stem (visible in the bottom photo of either cup).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe supplier does not specify microwave or dishwasher use, and \u003cstrong\u003ethe metal stem makes this set absolutely incompatible with microwave\u003c\/strong\u003e — metal will arc, and the iroe overglaze painting would not survive heat cycling. We recommend \u003cstrong\u003ehand-wash only\u003c\/strong\u003e: warm water, mild dish soap, soft cloth; rinse and towel-dry promptly so water does not sit at the bowl-stem join. Because each bird and branch is painted by hand, slight differences in line work and color density are part of how kachō painting is made — not defects.\u003c\/p\u003e\n\u003cp\u003e• Made by Bizan Kiln \/ Kutani-yaki in Ishikawa Prefecture, Japan, curated by ZenKiln. Distributed via 九谷焼の陶寿堂 (Tōjudō).\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47532124340454,"sku":"ZK-WINE-KUTANI-BIZAN-KOTORI-SHUNSHU-PAIR","price":189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/DSC8050_555901e0-47ac-474f-83be-c97e5d8f6a98.webp?v=1775952626"},{"product_id":"kutani-gold-floral-cup-saucer","title":"Kutani Cup \u0026 Saucer — Honkin Hanazume Real Gold Millefleur Ø8 × H6.5 cm","description":"\u003cp\u003e\u003cstrong\u003eKutani \"Honkin Hanazume\" Real-Gold Millefleur Cup \u0026amp; Saucer — Western-Form Tea \/ Coffee Pair (Ø 8 × H 6.5 cm, saucer Ø 15 cm)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA two-piece Kutani-yaki cup-and-saucer set decorated in \u003cstrong\u003e本金花詰 (honkin hanazume)\u003c\/strong\u003e — the supplier's name for the kiln's most demanding gold-ground floral idiom. The \u003cem\u003e本金 (honkin)\u003c\/em\u003e prefix specifically denotes pure \/ 24-karat-grade gold used in the gilding (a step above lower-grade gold inks used in entry-tier kinhanazume pieces); the \u003cem\u003ehanazume\u003c\/em\u003e technique itself is one of Kutani's most labour-intensive — wall-to-wall floral packing with gilded line-fill in every empty space, leaving no negative ground anywhere on the cup exterior.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe decoration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOn the cup, the gold-line teal-and-grey ground holds a tight all-over garden:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYellow azalea-like blossoms with gilded petal veins\u003c\/li\u003e\n\u003cli\u003eRaised-slip white chrysanthemums and daisies (the white bosses sit slightly proud of the surface)\u003c\/li\u003e\n\u003cli\u003ePink star-flowers and blue chrysanthemum medallions\u003c\/li\u003e\n\u003cli\u003ePurple and green smaller florets stitched in between\u003c\/li\u003e\n\u003cli\u003eTiny gilded leaves and stem-lines threading the whole composition together\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe cup handle is a \u003cstrong\u003esolid honkin-gold overglaze loop\u003c\/strong\u003e — full-coverage gold on the entire arc. The saucer is left plain white porcelain with a thin gold rim band, so the cup itself reads as the focal point of the pair.\u003c\/p\u003e\n\u003cp\u003eBoth pieces carry the same \u003cstrong\u003ered square three-kanji seal\u003c\/strong\u003e on the foot (visible in the bottom photos) — matched-set provenance proof.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eForm \u0026amp; use\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Western-style cup-and-saucer (\u003cem\u003ekappu \u0026amp; sōsā\u003c\/em\u003e) pair: slightly flared cup with a broad rim, tall gold loop handle, on a wide circular saucer. Cup is Ø 8 × H 6.5 cm (≈ 3.15 × 2.56 in); saucer is Ø 15 cm (≈ 5.91 in). Cup volume comfortably accepts ~150–180 ml (approximate, not supplier-stated) — suited to a single coffee, espresso lungo, hojicha, Japanese-style milk tea, or matcha-au-lait. Equally a display piece on a curio shelf — the cup interior is intentionally plain so the painted exterior reads from any angle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe supplier does not specify microwave or dishwasher use, and \u003cstrong\u003ethe all-over gold ground + solid-gold handle make this set absolutely incompatible with microwave\u003c\/strong\u003e — metal will arc, and the honkin gilding will not survive heat cycling. We recommend \u003cstrong\u003ehand-wash only\u003c\/strong\u003e: warm water, mild soap, soft cloth, rinse and towel-dry promptly. Avoid abrasive sponges and any detergent that could lift the gold. Because the decoration is laid by hand, slight variations in floret colour density and gold-line coverage are part of how honkin hanazume is made.\u003c\/p\u003e\n\u003cp\u003e• Made by Kutani-yaki \/ via Tojudo in Ishikawa Prefecture, Japan, curated by ZenKiln.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47533619904742,"sku":"ZK-CUPSAUCER-KUTANI-HONKIN-HANAZUME-8CM","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/DSC8131.webp?v=1775983080"},{"product_id":"kutani-peacock-peony-sake-set","title":"Kutani Sake Set 3pc — Eizan Kiln Peacock Peony Gold Tokkuri \u0026 Sakazuki","description":"\u003cp\u003e\u003cstrong\u003eKutani \"Iroe Botan Kujaku\" Peacock \u0026amp; Peony Kinrande Sake Set — Eizan Kiln, Tokkuri 260 cc + 2 Sakazuki (Ø 5.5 × H 3.9 cm)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA three-piece Kutani sake set from \u003cstrong\u003e九谷 栄山 (Eizan-gama \/ Eizan Kiln)\u003c\/strong\u003e, Ishikawa Prefecture, distributed by 九谷焼の陶寿堂 (Tōjudō). The supplier's name for the decoration is \u003cem\u003e色絵牡丹孔雀 (iroe botan kujaku \/ \"polychrome peony and peacock\")\u003c\/em\u003e — and the kiln has executed it in the \u003cem\u003ekinrande (金襴手 \/ \"gold brocade\")\u003c\/em\u003e idiom that Kutani is most known for: heavy gold ground, multi-band gilded collar at the neck, and the full gosai polychrome palette over it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe motif\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe tokkuri carries the full scene wrap-around: a blue peacock with a scaled cobalt body, mounting a fan of pink and purple tail feathers with green eye-spots and gilded shafts, standing among red and pink peonies (\u003cem\u003ebotan \/ 牡丹\u003c\/em\u003e) on dark rocks. Around the neck runs a red-and-gold collar layered with the \u003cem\u003esayagata\u003c\/em\u003e key-fret pattern and the \u003cem\u003esippō (seven-treasures)\u003c\/em\u003e wave-pattern band — formal court-style ornament that frames the painting like a brocade hem. Each sakazuki carries an abbreviated version of the same peacock-and-peony scene, so the three pieces read as a matched set rather than two cups + one decanter. All three carry the same red square \u003cstrong\u003e九谷 栄山\u003c\/strong\u003e (Kutani Eizan) seal on the foot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the pairing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe peacock-and-peony pairing is one of Kutani's most auspicious motifs. The peacock (\u003cem\u003ekujaku\u003c\/em\u003e) brings beauty, nobility, and watchful protection; the peony (\u003cem\u003ebotan\u003c\/em\u003e) — the \"king of flowers\" — brings prosperity, honour, and wealth. The pairing is a traditional gift at engagements, weddings, anniversaries, retirements, and house-warmings, with the implicit wish for a flourishing household.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eForm \u0026amp; use\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTokkuri (徳利 \/ sake decanter)\u003c\/strong\u003e — bottle-shouldered form with a small flared rim; supplier-stated capacity 260 cc, comfortably serves three to four sakazuki pours and is sized for a single person's evening or a two-person sake course.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo sakazuki (盃 \/ flat sake cups)\u003c\/strong\u003e — wide shallow form on a tall footed pedestal; Ø 5.5 × H 3.9 cm (≈ 2.17 × 1.54 in). Sized for warm or chilled sake \/ nihonshu — the wide rim opens the aroma; the small volume keeps each pour ceremonial.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCare\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe supplier does not specify microwave or dishwasher use, and \u003cstrong\u003ethe heavy gold ground makes this set incompatible with microwave\u003c\/strong\u003e — gold will arc and scorch. We recommend \u003cstrong\u003ehand-wash only\u003c\/strong\u003e: warm water, mild soap, soft cloth; rinse and towel-dry promptly. Because each piece is decorated by hand, slight differences in gilding density, peacock-tail line work, and peony flower placement are part of how kinrande is made.\u003c\/p\u003e\n\u003cp\u003e• Made by Eizan Kiln \/ Kutani-yaki in Ishikawa Prefecture, Japan, curated by ZenKiln. Distributed via 九谷焼の陶寿堂 (Tōjudō).\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47533628915942,"sku":"ZK-SAKESET-EIZAN-PEACOCK-PEONY-3PC","price":189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/DSC8141.webp?v=1775987816"},{"product_id":"kutani-gold-leaf-red-wine-cup","title":"Kutani Wine Cup — Red Kinpaku-Sai Gold Leaf Metal Stem Goblet 15 cm","description":"\u003cp\u003e\u003cstrong\u003eKutani Kinpaku-Sai Wine Cup — Red Glaze with Dense Gold-Leaf on Gold-Toned Metal Stem (Ø 7.2 × H 15 cm, 2023)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe red half of a paired series: a contemporary Kutani-yaki wine cup that joins a hand-decorated porcelain bowl with a gold-toned metal stem and foot. The supplier's series name is \u003cstrong\u003e金箔彩 (kinpaku-sai \/ \"gold-leaf-painted\")\u003c\/strong\u003e — gold leaf is laid across the bowl in irregular torn-foil flakes, set against a warm red glaze base. On this red variant the leaf covers densely, so the cup reads as predominantly bright gold from a step back, with the red glaze showing through at small leaf-gap windows, along the interior curve, and where the leaf thins toward the rim. The companion green sister cup (\u003cem\u003eK9-3141, kinpaku-sai 緑\u003c\/em\u003e) is sold separately — the two stand together as a celebratory pair for engagement, anniversary, or new-home toasts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe form\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA 21st-century Western-wine-glass silhouette executed in Japanese craft. Porcelain bowl, gold-toned metal stem, wide circular foot. The underside of the metal foot is engraved with the word \u003cem\u003e\"KUTANI\"\u003c\/em\u003e in fine intaglio (visible in the bottom photo).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiameter 7.2 cm × Height 15 cm (≈ 2.83 × 5.91 in) — overall height including the stem. Bowl holds roughly 100–140 ml of wine (approximate, not supplier-stated). Use for table wine, dessert wine, sparkling sake (awa-sake), aperitifs, or a single ceremonial pour.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBox\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArrives in the supplier's tan KUTANI-branded keshōbako (gift box) with traditional \u003cem\u003esayagata\u003c\/em\u003e + \u003cem\u003esippō\u003c\/em\u003e (seven-treasures) + honeycomb patterning — gift-ready for wedding, anniversary, housewarming, or Father's Day giving.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe supplier does not specify microwave or dishwasher use, and \u003cstrong\u003ethe metal stem makes this piece absolutely incompatible with microwave\u003c\/strong\u003e — metal will arc, and the kinpaku gold leaf would not survive heat cycling. We recommend \u003cstrong\u003ehand-wash only\u003c\/strong\u003e: warm water, mild dish soap, soft cloth; rinse and towel-dry promptly so water does not sit at the bowl-stem join. Because the leaf is laid by hand, slight differences in flake distribution, gold-density, and where the red shows through are part of how each piece is made.\u003c\/p\u003e\n\u003cp\u003e• Made by Kutani-yaki \/ via Tojudo in Ishikawa Prefecture, Japan, curated by ZenKiln.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47533664501990,"sku":"ZK-WINE-KUTANI-KINPAKU-RED-15CM","price":189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/DSC8164.webp?v=1775991527"},{"product_id":"kutani-gold-leaf-green-wine-cup","title":"Kutani Wine Cup — Green Kinpaku-Sai Gold Leaf Metal Stem Goblet 15 cm","description":"\u003cp\u003e\u003cstrong\u003eKutani Kinpaku-Sai Wine Cup — Green \u0026amp; Gold-Leaf Porcelain Bowl on Gold-Toned Metal Stem (Ø 7.2 × H 15 cm, 2023)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA contemporary Kutani-yaki wine cup that pairs a hand-decorated porcelain bowl with a gold-toned metal stem and foot. The supplier's series name is \u003cstrong\u003e金箔彩 (kinpaku-sai \/ \"gold-leaf-painted\")\u003c\/strong\u003e — gold leaf is laid across the bowl in irregular torn-foil flakes, then sealed beneath a translucent sea-green tinted glaze, so the leaf reads as soft silvery-green where the glaze runs thickest and as warm bright gold where the glaze thins toward the rim. No two cups will look alike: the way the leaf overlaps is set by hand, sheet by sheet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe form\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhere most Kutani drinking vessels are short, this one stands. The porcelain bowl is set on a slim gold-toned metal stem and a wide circular foot — a 21st-century Western-wine-glass silhouette executed in Japanese craft. The underside of the metal foot is engraved with the word \u003cem\u003e\"KUTANI\"\u003c\/em\u003e in fine intaglio (visible in the bottom photo). The piece is part of a paired series with a red sister variant (\u003cem\u003ekinpaku-sai\u003c\/em\u003e red, sold separately).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiameter 7.2 cm × Height 15 cm (≈ 2.83 × 5.91 in) — overall height including the stem. The bowl holds roughly 100–140 ml of wine (capacity is approximate, not supplier-stated). Use it for table wine, dessert wine, sparkling sake (awa-sake), aperitifs, or for a single ceremonial pour after dinner.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBox\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArrives in the supplier's tan KUTANI-branded keshōbako (gift box), printed with traditional \u003cem\u003esayagata\u003c\/em\u003e + \u003cem\u003esippō\u003c\/em\u003e (seven-treasures) + honeycomb patterning — gift-ready for wedding, anniversary, housewarming, or Father's Day giving.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe supplier does not specify microwave or dishwasher use, and \u003cstrong\u003ethe metal stem makes this piece absolutely incompatible with microwave\u003c\/strong\u003e — metal will arc, and the kinpaku gold leaf would not survive heat cycling. We recommend \u003cstrong\u003ehand-wash only\u003c\/strong\u003e: warm water, mild dish soap, soft cloth; rinse and towel-dry promptly so water does not sit at the bowl-stem join. Because the leaf is laid by hand, slight differences in flake distribution, gold-density, and glaze pooling are part of how each piece is made.\u003c\/p\u003e\n\u003cp\u003e• Made by Kutani-yaki \/ via Tojudo in Ishikawa Prefecture, Japan, curated by ZenKiln.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47533734658278,"sku":"ZK-WINE-KUTANI-KINPAKU-GREEN-15CM","price":189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/CaptureOneCatalog0005.webp?v=1775998640"},{"product_id":"kutani-kinhanazume-serving-bowl","title":"Kutani Kinhanazume Bowl — Tenzan Kiln Gold Millefleur Mokkō-Gata 19 cm","description":"\u003cp\u003e\u003cstrong\u003eKutani Kinhanazume Mokkō-Gata Serving Bowl — Tenzan Kiln Gold Millefleur Ø 19 × H 5.2 cm (2025, keshōbako)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA hand-painted Kutani-yaki serving bowl from \u003cstrong\u003eTenzan Kiln (九谷 天山 \/ Tenzan-gama)\u003c\/strong\u003e, Ishikawa Prefecture, distributed by 九谷焼の陶寿堂 (Tōjudō). The bowl is shaped as a soft \u003cem\u003emokkō-gata (木瓜形 \/ four-lobed quatrefoil)\u003c\/em\u003e and decorated entirely in the kiln's signature 金花詰 (kinhanazume) idiom — \u003cem\u003e\"gold-filled with flowers\"\u003c\/em\u003e — where chrysanthemums, peonies, sakura, daisies, and cobalt-blue butterflies cover the entire surface, wall-to-wall, set into a luminous gold ground with no negative space.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe kinhanazume technique\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKinhanazume \/ hanazume is one of Kutani's most demanding decorative traditions. Each tiny floret is outlined first in iron-red enamel, then filled with polychrome — pink, purple, white, vermilion, green, orange — and surrounded by hairline gilded petal-veins. The large white chrysanthemums are built up in raised slip (\u003cem\u003e盛り絵 \/ mori-e\u003c\/em\u003e), so the petals catch light from the side as bosses of low relief. The deep cobalt-blue butterflies use one of Kutani's classic five-color enamels (赤・緑・黄・紫・紺青 — the gosai palette). The cumulative effect is jewel-like density: hundreds of flowers in a single small bowl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eForm \u0026amp; use\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA 6号 (6-gō, supplier catalogue size label — not a centimetre measurement) shallow mokkō-gata bowl: Diameter 19 cm × Height 5.2 cm (≈ 7.48 × 2.05 in). The flat shallow form belongs to the \u003cem\u003ekashiki (菓子器 \/ sweets-tray)\u003c\/em\u003e family — well-suited for serving wagashi (Japanese tea sweets), assorted dried fruits, small confections, mints, or a single piece of fruit at a kaiseki course. Equally at home as a jewellery valet on a vanity, a key dish in an entry, or a display piece on a shelf where the gold rim can catch the light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBox \u0026amp; cert\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArrives in the supplier's \u003cstrong\u003e化粧箱入 (keshōbako)\u003c\/strong\u003e — a KUTANI-branded gift presentation box (photographed in the listing) — and carries a \u003cstrong\u003eKutani-yaki cooperative gold round cert sticker\u003c\/strong\u003e on the foot well, together with the kiln's red \u003cstrong\u003e九谷 天山\u003c\/strong\u003e square seal in red brush (visible in the bottom photo).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe supplier does not specify microwave or dishwasher use, and the heavy gold rim, gold-ground gilding, and overglaze enamel mean that this piece is \u003cstrong\u003ehand-wash only\u003c\/strong\u003e. Use warm water and a soft cloth; avoid abrasive sponges and any detergent that could lift the gold. \u003cstrong\u003eMicrowave is not recommended on any gold-decorated porcelain\u003c\/strong\u003e — the gold will scorch and may arc. Each piece is decorated by hand, so slight variations in flower placement, gilding density, and the wave of the mokkō-gata lobes are part of how this technique is made.\u003c\/p\u003e\n\u003cp\u003e• Made by Tenzan Kiln \/ Kutani-yaki in Ishikawa Prefecture, Japan, curated by ZenKiln. Distributed via 九谷焼の陶寿堂 (Tōjudō).\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47533769916646,"sku":"ZK-BOWL-TENZAN-KINHANAZUME-MOKKO-19CM","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/CaptureOneCatalog0023.webp?v=1776000667"},{"product_id":"fukagawa-seiji-iro-e-saiji-iridescent-vase","title":"Fukagawa Seiji Iridescent Porcelain Vase — Iro-e Saiji Hanaike, Gold Rim, Arita","description":"\u003cp\u003e\u003cstrong\u003eIridescent porcelain vase by Fukagawa Seiji — the Arita house historically recognized as a supplier to the Japanese Imperial Household since 1910 and won the Grand Prix at the 1900 Paris Exposition. This contemporary piece is from the brand's Harmony series, made with the house's signature Iro-e Saiji (色絵彩磁) overglaze technique and finished with a 24K-style gold rim.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eWhat this is\u003c\/h3\u003e\n\u003cp\u003eA single-stem hanaike (花生 \/ flower vessel) in classic Japanese teardrop form: narrow neck flaring to a slightly everted lip, full pear-shaped body, and a shallow porcelain foot. The exterior carries Fukagawa Seiji's Iro-e Saiji pearlescent gradient — drifting from soft lavender at the shoulder, through pale celadon and sage, into a warm peach belly, and back to ivory at the foot. A fine gold band rings the rim.\u003c\/p\u003e\n\u003cp\u003eThe underside carries the Fukagawa Seiji house mark: the stylised Mt. Fuji + flowing-water (富士流水) icon above the technique stamp 「色絵彩磁」 in cobalt blue underglaze.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eForm\u003c\/strong\u003e: hanaike \/ single-stem flower vase, teardrop body with everted lip\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnique\u003c\/strong\u003e: Iro-e Saiji (色絵彩磁) — Fukagawa Seiji's patented high-fire overglaze technique, developed in the late Meiji period; colours are stable and do not fade\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSurface\u003c\/strong\u003e: pearlescent \/ iridescent pastel gradient (lavender → celadon → sage → peach → ivory) with gold rim\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSeries\u003c\/strong\u003e: Harmony G — Fukagawa Seiji's contemporary decorative line\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade by\u003c\/strong\u003e Fukagawa Seiji in Arita, Saga Prefecture, Japan, curated by ZenKiln\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAbout the maker — Fukagawa Seiji\u003c\/h3\u003e\n\u003cp\u003eFukagawa Seiji (深川製磁) was founded in 1894 in Arita, Saga, by Fukagawa Tadatsugu, a descendant of the six-generation Imari-Arita Fukagawa pottery clan. The house's reputation rests on three milestones in Japanese ceramic history:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1900\u003c\/strong\u003e — Grand Prix (highest gold medal) at the Paris Exposition Universelle, for the maker's Iro-e Saiji vases. This award placed Fukagawa among the first Japanese porcelain houses recognised internationally.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1910\u003c\/strong\u003e — Officially designated by the Japanese Imperial Household Ministry (宮内省御用達（1910 historical record）), a designation that Fukagawa Seiji has historical documentation for through the Taishō, Shōwa, Heisei, and Reiwa eras.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIro-e Saiji\u003c\/strong\u003e — the maker's signature technique, developed by Fukagawa Tadatsugu: overglaze enamels fused into the porcelain at high temperature in a single firing. The colours fuse into the glaze rather than sitting on top of it, giving Fukagawa pieces their characteristic depth and longevity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe piece you're looking at is from the Harmony series — Fukagawa Seiji's contemporary decorative range that applies the house's Iro-e Saiji technique to softer, more modern colour palettes. It is not an antique or vintage piece; it is a current-production studio piece by the heritage brand.\u003c\/p\u003e\n\u003ch3\u003eHow to use \/ who it's for\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSingle-stem ikebana with seasonal branches — plum, cherry blossom, camellia, autumn maple, pine\u003c\/li\u003e\n\u003cli\u003eStandalone shelf, mantel, or tokonoma decor without flowers — the iridescent surface reads differently under each light source\u003c\/li\u003e\n\u003cli\u003eA wedding, anniversary, or housewarming gift for a collector of fine Japanese porcelain or historical Imperial-supplier ware\u003c\/li\u003e\n\u003cli\u003eA reference example of the Harmony series' contemporary application of Iro-e Saiji\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47642126942438,"sku":null,"price":300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/6a0f48436f03bf48e8c7f28f9f150b4c_f93adc39-bb1c-4962-ad96-d39b444edbc0.png?v=1780218456"},{"product_id":"vintage-fukagawa-seiji-kurenai-sake-set-1977","title":"Vintage 1977 Fukagawa Seiji Kurenai Sake Set — 2 Tokkuri \u0026 5 Ochoko, Arita Porcelain","description":"\u003cp\u003e\u003cstrong\u003eA vintage 1977 sake set by Fukagawa Seiji — the Arita house historically recognized as a supplier to the Japanese Imperial Household since 1910. The \"Kurenai\" (くれない \/ 紅) pattern carries five-color autumn maple leaves in the maker's signature Iro-e Saiji overglaze technique. Sold complete with original maker box, brand history pamphlet, original Marushin (Tokushima) retail voucher dated to 1977, and Marushin certification sticker — the full original-retail provenance.\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eWhat's in the set (7 pieces total)\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e2 × tokkuri (徳利)\u003c\/strong\u003e sake bottles — height 13.5 cm (5.3\"), base 5 cm (2.0\")\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5 × ochoko (お猪口)\u003c\/strong\u003e sake cups — height 5.5 cm (2.2\"), mouth 4 cm (1.6\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOne tokkuri carries an additional gold-script painter's signature 「圭史」 (Keishi) on the foot, alongside the standard Fukagawa Seiji Mt. Fuji + flowing-water (富士流水) mark and the maker's stamp 「深川製」. The second tokkuri carries the standard mark only. All five ochoko carry the standard mark.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eThe Kurenai (くれない) pattern\u003c\/h3\u003e\n\u003cp\u003e\"Kurenai\" — Japanese for crimson — is Fukagawa Seiji's official name for this autumn maple-leaf pattern. Each leaf is rendered in pointillistic Iro-e Saiji enamel, layered in five colors:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVermilion red (紺色) — the late-autumn ripeness\u003c\/li\u003e\n\u003cli\u003eCobalt blue (藍) — the receding sky\u003c\/li\u003e\n\u003cli\u003eSage green (萌葱) — leaves still in transition\u003c\/li\u003e\n\u003cli\u003eGold (金) — caught light, the moment of brilliance\u003c\/li\u003e\n\u003cli\u003eSoft red lacquer (朱) — the supporting stems and twigs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe leaves cluster on the upper shoulders of each piece in a \"drift\" composition — the visual logic of leaves carried by autumn wind, settling on a still surface. Gold rims complete each cup and bottle.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eAbout the maker — Fukagawa Seiji\u003c\/h3\u003e\n\u003cp\u003eFukagawa Seiji (深川製磁) was founded in 1894 in Arita, Saga, by Fukagawa Tadatsugu, a descendant of the six-generation Imari-Arita Fukagawa pottery clan.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1900\u003c\/strong\u003e — Grand Prix (highest gold medal) at the Paris Exposition Universelle for Iro-e Saiji vases\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1910\u003c\/strong\u003e — Officially designated by the Japanese Imperial Household Ministry (宮内省御用達（1910 historical record）), with historical documentation through Taishō, Shōwa, Heisei, and Reiwa eras\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIro-e Saiji\u003c\/strong\u003e — the maker's signature technique developed by Fukagawa Tadatsugu: overglaze enamels fused into the porcelain at high temperature in a single firing; colours integrated into the glaze rather than sitting on top of it\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis particular set was retailed in 1977 by \u003cstrong\u003eMarushin (丸新)\u003c\/strong\u003e, a Tokushima department store, for ¥20,000 — a substantial gift-tier price at that time, equivalent in purchasing power to an upper-mid-range department-store gift today. The original Marushin retail voucher is included.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eProvenance (three independent confirmations)\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaker mark\u003c\/strong\u003e: Fukagawa Seiji Mt. Fuji + 流水 + 「深川製」 underglaze cobalt mark on every piece\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePainter's signature\u003c\/strong\u003e: gold-script 「圭史」 on one tokkuri — a Fukagawa workshop painter signature, present on the lead bottle of the pair\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal retail receipt\u003c\/strong\u003e: Marushin (丸新, Tokushima) printed retail voucher with original ¥20,000 retail price and Marushin certification sticker — establishes 1977 retail-date provenance\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003chr\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTokkuri (sake bottle)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 13.5 cm (5.3\")\u003c\/li\u003e\n\u003cli\u003eFoot diameter: 5.0 cm (2.0\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOchoko (sake cup)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 5.5 cm (2.2\")\u003c\/li\u003e\n\u003cli\u003eMouth diameter: 4.0 cm (1.6\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003eHow to use \/ who it's for\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAutumn dinners, harvest moon (Tsukimi) gatherings, year-end celebrations — the Kurenai pattern is seasonally tied to October–November but reads as warm-tone tableware year-round\u003c\/li\u003e\n\u003cli\u003eWedding gift, anniversary gift, or housewarming for collectors of fine Japanese porcelain — particularly anyone with a Fukagawa Seiji or historical Imperial Household designation interest\u003c\/li\u003e\n\u003cli\u003eA reference example of late-Showa Iro-e Saiji autumn-leaf composition, with documented original-retail provenance — a strong piece for serious collectors of Japanese ceramics history\u003c\/li\u003e\n\u003cli\u003eFor the careful host: the 2-tokkuri configuration lets you serve two sakes side-by-side (e.g., one warm, one chilled, or two contrasting brews)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eExcellent vintage condition. The set appears unused. All gold rims are intact and unworn. The Iro-e Saiji enamel pattern is bright and complete on every piece. The painter's signature on the lead tokkuri is clean and unsmudged. The original maker box has minor age-related softening at corners, consistent with 1977 storage; the retail voucher is intact and legible.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eCare\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHand-wash with warm water and a soft cloth or sponge. Avoid abrasive cleaners or nylon scrubbers (they will scratch the gold rim and Iro-e Saiji surface).\u003c\/li\u003e\n\u003cli\u003eNo microwave (gold rim).\u003c\/li\u003e\n\u003cli\u003eNo oven.\u003c\/li\u003e\n\u003cli\u003eHand-wash recommended over dishwasher for any signed vintage piece of this age — extended dishwasher cycles will eventually wear the painted enamel.\u003c\/li\u003e\n\u003cli\u003eAvoid sudden temperature shock when serving warm sake — pre-warm the tokkuri gradually with warm (not hot) water before adding heated sake.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003eWhat you receive\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e2 × Fukagawa Seiji Kurenai tokkuri (one with 「圭史」 painter signature, one with standard mark only)\u003c\/li\u003e\n\u003cli\u003e5 × Fukagawa Seiji Kurenai ochoko\u003c\/li\u003e\n\u003cli\u003e1 × original Fukagawa Seiji presentation box (0700-190 \/ くれない 酒器揃)\u003c\/li\u003e\n\u003cli\u003e1 × printed Fukagawa Seiji brand history pamphlet (Japanese)\u003c\/li\u003e\n\u003cli\u003e1 × original Marushin (丸新, Tokushima) retail voucher dated to 1977 (¥20,000)\u003c\/li\u003e\n\u003cli\u003e1 × original Marushin certification sticker\u003c\/li\u003e\n\u003cli\u003eZenKiln care card (English translation of key care points)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003eAbout ZenKiln\u003c\/h3\u003e\n\u003cp\u003eA Japan-based curator connecting international collectors with Japan's artisan ceramic tradition. We work closely with the kilns, workshops, and makers featured in our shop — each one disclosed in our About section — and hand-pack every piece in Japan for safe delivery worldwide.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eShips from Japan within 1–3 business days, hand-packed inside the original 1977 maker box plus exterior cushioning for international transit. International tracking included. Buyers outside Japan are responsible for any local customs duties or taxes.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default","offer_id":47643485896934,"sku":"SAK-ARI-SHL-00003","price":368.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/6a0f48436f03bf48e8c7f28f9f150b4c_55abe1d1-9c3a-48a6-98fc-b6e44b182f57.png?v=1780209082"},{"product_id":"fukagawa-seiji-1937-sometsuke-tea-set","title":"Fukagawa Seiji Pre-War Arita Sometsuke Tea Set — Kyusu + 5 Yunomi with Signed Tomobako, 1937 Showa","description":"\u003cp\u003e\u003cstrong\u003eA 1937 Pre-War Fukagawa Seiji Tea Set — Imperial Household Purveyor, Signed Paulownia Box, Almost Unused.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a rare opportunity to acquire a complete six-piece tea service from Fukagawa Seiji 深川製磁 — founded in 1894 in Arita, Saga Prefecture, and granted the title of \u003cem\u003eKunaisho Goyo-tashi\u003c\/em\u003e (宮内省御用達, “Purveyor to the Imperial Household”) in 1910. The set comprises one side-handle kyusu teapot and five matching yunomi cups, decorated in cobalt underglaze (sometsuke 染付) with stylized blue florals against a luminous white porcelain body, finished with hand-applied gilt rims and a gilt finial.\u003c\/p\u003e\n\u003cp\u003eThe set has rested in its original signed paulownia tomobako (共桐木箱) for nearly nine decades. Remarkably, the factory-original transparent protective sleeve on the teapot spout is still present — strong evidence the set was never put into daily use.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSet composition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 × Kyusu (横手急須, side-handle teapot) — H9.5 × ⌀10 cm body (3.7″ × 3.9″), 273 g (9.6 oz), with internal honeycomb ceramic strainer\u003c\/li\u003e\n\u003cli\u003e5 × Yunomi (湯呑, tea cups) — rim ⌀9 × foot ⌀4 × H5.7 cm (3.5″ × 1.6″ × 2.2″), 78 g (2.75 oz) each\u003c\/li\u003e\n\u003cli\u003e1 × Original signed paulownia wood box (kiribako 桐木箱)\u003c\/li\u003e\n\u003cli\u003e2 × Enclosed paper cards — one vintage company-history insert, one modern care insert (the modern insert was added in later years by a previous keeper; the vintage card is original to the set)\u003c\/li\u003e\n\u003cli\u003e1 × Original factory spout protector (transparent silicone sleeve with hanging cord)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMarks \u0026amp; seals (provenance evidence)\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eCup foot\u003c\/th\u003e\n\u003ctd\u003eMt. Fuji + 「深川製」 hand-brushed cobalt underglaze (standard Fukagawa Seiji mark)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eKyusu lid interior\u003c\/th\u003e\n\u003ctd\u003eidentical Mt. Fuji + 「深川製」 mark (premium pre-war single-marking standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTomobako\u003c\/th\u003e\n\u003ctd\u003ebrush-written 「茶器揃 宮内省御用達 深川製磁」 in sumi ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTomobako red seals\u003c\/th\u003e\n\u003ctd\u003e「美術有田焼」 (Art Arita Ware grade), Mt. Fuji + 深川 square seal, and a quality-inspection edge stamp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDating evidence\u003c\/th\u003e\n\u003ctd\u003ethe box vocabulary 「宮内省」 was retired in 1947 when the ministry was reorganized — placing this set definitively before 1947. The original owner identified the production year as Showa 12 (1937).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e — Almost unused (未使用に近い)\u003cbr\u003eAll six ceramic pieces are intact and free of chips, cracks, kiln scars, and gilt wear. The interior honeycomb strainer shows no tea residue. The original spout protector — which would normally be removed and discarded on first use — is still in place, supporting the “almost unused” classification.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCultural context\u003c\/strong\u003e — Fukagawa Seiji rose to international prominence with its Grand Prize at the 1900 Paris Exposition Universelle and remains one of the foundational houses of modern Arita ware. The high-temperature 1350°C white porcelain body and the signature “Fukagawa Blue” tonal-gradient underglaze are unmistakable hallmarks of the studio. Pre-war Fukagawa with original tomobako is uncommon on the secondary market; complete six-piece sets in this condition are rarer still.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse\u003c\/strong\u003e — Suited to sencha green tea or gyokuro service for a small gathering, displayed as a collectible heirloom, or as a museum-quality gift for a serious collector of Japanese ceramics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare\u003c\/strong\u003e — Hand-wash only with mild, neutral detergent and a soft cloth. Do not microwave (gilt rim and gilt finial contain metal). Do not dishwash. Avoid sudden temperature changes. Store the box in a low-humidity environment away from direct sunlight.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e• Originally made by \u003cstrong\u003eFukagawa Seiji 深川製磁\u003c\/strong\u003e (Imperial Household Purveyor, est. 1894) in Arita, Saga Prefecture, Japan in 1937 (Showa 12), curated by ZenKiln\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbout ZenKiln — A Japan-based curator connecting international collectors with Japan's artisan ceramic tradition. We work closely with the kilns, workshops, and makers featured in our shop — each one disclosed in our About section — and hand-pack every piece in Japan for safe delivery worldwide.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e — Hand-packed in the original paulownia box, wrapped with archival tissue and a custom double-walled outer carton. Insured international tracked shipping from Japan, typically 7–14 business days. Duties \u0026amp; customs are the buyer's responsibility.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47692572786918,"sku":"TEA-ARI-SHW-00001","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/6a0f48436f03bf48e8c7f28f9f150b4c_408c31eb-1b71-4c00-9a7f-03131475cf0d.png?v=1780215423"},{"product_id":"vintage-fukagawa-sake-set-ruri-budo-arita-porcelain-7-piece","title":"Vintage Fukagawa Sake Set — Ruri Budō Lapis Blue, 7pc","description":"\u003cp\u003e\u003cstrong\u003eVintage 7-piece sake set by 深川製磁 Fukagawa Seiji\u003c\/strong\u003e — Arita-yaki kiln, founded Meiji 27 (1894), \u003cstrong\u003e宮内庁御用達 Imperial Household Agency purveyor since Meiji 43 (1910)\u003c\/strong\u003e. Two tokkuri (sake carafes) + five footed ochoko (sake cups) in Fukagawa's signature ルリブドー Ruri Budō (\"Lapis-Blue Grape\") pattern: deep ruri (瑠璃) cobalt-blue ground with hand-applied gold maki-e grape-vine branches, turquoise + akae cinnabar grape clusters, gold rim line, and pure-white porcelain interiors. Arrives in original Fukagawa Seiji branded retail box with full-colour brand-history leaflet.\u003c\/p\u003e\n\n\u003ch3\u003eProvenance \u0026amp; attribution\u003c\/h3\u003e\n\u003cp\u003eThis set is fully documented for brand, pattern, and Arita origin (Fukagawa Seiji foot mark + original branded box + product code 0700-861 + accompanying brand-history leaflet, all photo-verified). The production year is estimated as the vintage Showa-to-Heisei period (1980s–2000s), based on the barcode-era retail code and modern leaflet format — the Meiji 27 (1894) date printed in the leaflet refers to Fukagawa Seiji's founding year, not this set's production date.\u003c\/p\u003e\n\n\u003ch3\u003eQuick facts\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctr\u003e\n\u003cth\u003eForm\u003c\/th\u003e\n\u003ctd\u003eSake set — 2 tokkuri + 5 footed ochoko (7 pieces)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eEach tokkuri\u003c\/th\u003e\n\u003ctd\u003e13.0 cm height × 4.8 cm base × 2.8 cm mouth (≈5.1″ × 1.9″ × 1.1″); 135 g (≈4.8 oz)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eEach ochoko\u003c\/th\u003e\n\u003ctd\u003e5.7 cm rim diameter (≈2.2″); 25 g (≈0.9 oz)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eSet weight\u003c\/th\u003e\n\u003ctd\u003e≈ 395 g (≈14 oz) total (ware only)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eCapacity\u003c\/th\u003e\n\u003ctd\u003eTo be measured by water-fill test before dispatch\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eMaterial\u003c\/th\u003e\n\u003ctd\u003ePorcelain (Arita) — ruri lapis glaze exterior, white interior, gold maki-e + akae + turquoise enamel\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eFoot mark\u003c\/th\u003e\n\u003ctd\u003e富士山 + 深川製 (Fukagawa Sei) in underglaze cobalt\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003ePattern\u003c\/th\u003e\n\u003ctd\u003eルリブドー Ruri Budō (\"Lapis-Blue Grape\") — Fukagawa \"Porcelain Treasure Stone\" lapis lineage\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003ePeriod\u003c\/th\u003e\n\u003ctd\u003eVintage Showa to Heisei (1980s–2000s)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eBrand heritage\u003c\/th\u003e\n\u003ctd\u003eFounded Meiji 27 (1894); 宮内庁御用達 since Meiji 43 (1910)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eProduct code\u003c\/th\u003e\n\u003ctd\u003e0700-861 (Fukagawa Seiji retail catalogue)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eBox\u003c\/th\u003e\n\u003ctd\u003eOriginal Fukagawa Seiji branded retail box\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eAccessories\u003c\/th\u003e\n\u003ctd\u003eOriginal full-colour Fukagawa brand-history leaflet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eInventory\u003c\/th\u003e\n\u003ctd\u003eOne-of-one — vintage; no restock\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003cth\u003eCurated by\u003c\/th\u003e\n\u003ctd\u003eZenKiln from a Japanese antique dealer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat is Ruri Budō?\u003c\/h3\u003e\n\u003cp\u003eRuri Budō (ルリブドー — \"Lapis-Blue Grape\") is one of Fukagawa Seiji's most recognised pattern lines. The ruri (瑠璃) base is the workshop's signature high-fired cobalt glaze — described in the brand's own literature as 磁器の宝石 (\"the porcelain treasure stone\"). The grape-vine motif is hand-applied in gold maki-e with overglaze enamel grape clusters in turquoise and akae cinnabar — a confident Imperial-purveyor design language.\u003c\/p\u003e\n\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eLight vintage patina consistent with careful Japanese storage. No major chips or losses visible from supplied photos. A close-up condition pass will be added before publish.\u003c\/p\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is a tokkuri and an ochoko?\u003c\/strong\u003e A tokkuri (徳利) is a Japanese sake carafe — the narrow-necked bottle that the sake is warmed and poured from. An ochoko (お猪口) is a small footed sake cup. A 7-piece set with 2 tokkuri and 5 ochoko is the classical \"host's set\" — both sake hosts pour for a small group.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs it microwave or dishwasher safe?\u003c\/strong\u003e Absolutely not. The gold maki-e lines and the turquoise + akae overglaze enamels will be damaged by either. Hand-wash only with mild soap in lukewarm water; rinse and pat dry with a soft cotton cloth.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs the gold pattern original?\u003c\/strong\u003e Yes. The gold lines are hand-applied gold maki-e on the original ruri-blue ground. Light wear of the gold over decades of use is normal and expected on vintage Fukagawa pieces and is consistent with authentic age rather than a manufacturing defect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is 宮内庁御用達?\u003c\/strong\u003e 宮内庁御用達 (Kunaichō Goyōtatsu) is the formal designation \"purveyor to the Imperial Household Agency\" — a status Fukagawa Seiji has held since Meiji 43 (1910). The leaflet that arrives with this set confirms this status.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat about the Meiji 27 date in the leaflet?\u003c\/strong\u003e Meiji 27 (1894) is Fukagawa Seiji's founding year — the year 深川忠次 established the workshop. It is part of the brand's 130+ year heritage but is not the production date of this specific set. The set itself is a vintage Showa-to-Heisei commercial production (broadly 1980s–2000s).\u003c\/p\u003e\n\n\u003ch3\u003eAbout ZenKiln\u003c\/h3\u003e\n\u003cp\u003eA Japan-based curator connecting international collectors with Japan's artisan ceramic tradition. We work closely with the kilns, workshops, and makers featured in our shop — each one disclosed in our About section — and hand-pack every piece in Japan for safe delivery worldwide.\u003c\/p\u003e\n\n\u003cp\u003e📦 Ships from Japan, hand-packed for safe delivery. Antique pieces are wrapped in their original branded box, then double-boxed with archival-grade cushioning. Insurance recommended; included by default on orders over $250.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47699132252390,"sku":"ZK-SKE-FUKAGAWA-RURIBUDO-001","price":188.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/6a0f48436f03bf48e8c7f28f9f150b4c_72a9ebc2-b1db-43d4-be48-1845b6bb77b1.png?v=1780216389"},{"product_id":"vintage-koransha-yunomi-set-5-orchid-gilt-showa-1927","title":"Vintage Japanese Yunomi Set of 5 — Kōransha \"Orchid in Gold and Red\" (Showa 2 \/ 1927)","description":"\u003cp\u003e\u003cstrong\u003eA set of 5 fine-porcelain yunomi (Japanese tea cups) by Kōransha (香蘭社)\u003c\/strong\u003e — Japan's first joint-stock porcelain company, founded 1875 in Arita, Saga Prefecture. Made in 昭和2年 \/ Showa 2 \/ 1927 (user-confirmed). Each cup carries a hand-painted overglaze decoration of an orchid (the brand's own emblem) in red-orange iron-oxide enamel and gold leaf, set against fine white porcelain ground with gilt rim and twin coral-red banding. The set survives in mint, untouched condition — five cups arranged in the original Kōransha vertical-stacking tomobako, with the maker's sumi-ink calligraphy and official red seal on the outer face.\u003c\/p\u003e\n\u003cp\u003eAt 99 years old, this set sits at the threshold of \"Antique\" status (Etsy's 100-year cutoff), produced at the very start of the Showa era by a porcelain house founded in 1875.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eSet composition\u003c\/th\u003e\n\u003ctd\u003e5 yunomi + original Kōransha wooden tomobako (vertical stacking format)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eCup dimensions (each)\u003c\/th\u003e\n\u003ctd\u003e∼Ø9.0 × 5.5 cm H (≈3.5″ × 2.2″), foot ∼Ø4.0 cm (≈1.6″), ∼71 g (≈2.5 oz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSet weight (5 cups, sans box)\u003c\/th\u003e\n\u003ctd\u003e∼355 g (≈12.5 oz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTomobako\u003c\/th\u003e\n\u003ctd\u003e∼10.5 × 10 × 34 cm (≈4.1″ × 3.9″ × 13.4″) — tall vertical box, kiri-style soft wood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMaterial\u003c\/th\u003e\n\u003ctd\u003eFine white porcelain (磁器 \/ Jiki) — Arita body\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDecoration\u003c\/th\u003e\n\u003ctd\u003eOverglaze red enamel (赤絵 \/ Aka-e), gilding (金彩 \/ Kinsai), coral-red banding, gold rim and foot ring\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eProduction year\u003c\/th\u003e\n\u003ctd\u003e昭和2年 \/ Showa 2 \/ 1927 (user-confirmed)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMaker founded\u003c\/th\u003e\n\u003ctd\u003e明治8年 \/ Meiji 8 \/ 1875 (Kōransha brand history — context only, not this piece's production year)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMade by\u003c\/strong\u003e Kōransha \/ Arita Ware in Saga Prefecture, Japan, curated by ZenKiln\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eProvenance \u0026amp; Attribution\u003c\/h3\u003e\n\u003cp\u003eThis set carries strong primary evidence of Kōransha production:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOriginal Kōransha wooden tomobako with sumi-ink calligraphy reading 「御湯呑 五客」 (Goyunomi Gokyaku — \"Honorable Tea Cups, Set of Five\") on the right column and 「香蘭社」 (Kōransha) on the left column\u003c\/li\u003e\n\u003cli\u003eRed square official Kōransha maker's seal stamped on the tomobako next to the brand calligraphy\u003c\/li\u003e\n\u003cli\u003eGold-painted Kōransha foot mark on each cup — stylized orchid sprig emblem above the kanji wordmark 「香蘭社」\u003c\/li\u003e\n\u003cli\u003eIconographic self-reference: the orchid (蘭 \/ Ran) on the decoration is the maker's own emblem; the brand-name kanji 香蘭 literally means \"Fragrant Orchid\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurator's note on attribution:\u003c\/strong\u003e We can confirm with high confidence that this is a Kōransha-produced yunomi set as marked. The production year \u003cstrong\u003e昭和2年 (Showa 2 \/ 1927)\u003c\/strong\u003e is the seller's attribution; independent dating to the exact year would require expert reference against Kōransha's published mark-style catalog, so we present the year as attributed rather than independently verified. This piece was acquired by ZenKiln through the Japanese antique market.\u003c\/p\u003e\n\u003ch3\u003eKōransha: A Short Historical Note\u003c\/h3\u003e\n\u003cp\u003eKōransha (香蘭社) was founded in 1875 (Meiji 8) in Arita, Saga Prefecture, by Fukagawa Eizaemon VIII (深川栄左衛門八代) as Japan's first joint-stock porcelain company. It was created as a deliberate modernization of the centuries-old Hizen Arita porcelain industry to bring Arita work onto the international stage of the Meiji era. Kōransha exhibited at the 1876 Philadelphia Centennial Exposition and the 1878 Paris Universal Exposition and is historically associated with Imperial Household Agency procurement. The brand is still active today.\u003c\/p\u003e\n\u003cp\u003eThe brand-name kanji 香蘭 means \"Fragrant Orchid\"; orchid is the company's emblem, and you see it here on both the cup decoration AND the foot mark.\u003c\/p\u003e\n\u003ch3\u003eMotif: Orchid (蘭 \/ Ran)\u003c\/h3\u003e\n\u003cp\u003eThe decorative flower on these cups is \u003cstrong\u003eorchid (蘭 \/ Ran)\u003c\/strong\u003e, the Kōransha company emblem — not sazanka, plum, or cherry. The radiating four-petal bloom with arching gilt leaf-blade strokes is Kōransha's standard interpretation of the orchid form.\u003c\/p\u003e\n\u003ch3\u003eCondition Disclosure (Full)\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCondition grade: Mint\u003c\/strong\u003e — presented as-new in original packaging.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll 5 cups: no chips, no cracks, no crazing visible, no rim flea-bites; gold rim trim intact and unworn; foot mark gold crisp\u003c\/li\u003e\n\u003cli\u003eTomobako: outer kiri-style wood shows age-consistent surface mellowing typical of pre-war \/ early-Showa Japanese soft wood; no warping, no separation of dividers; sumi-ink calligraphy crisp; red Kōransha seal unfaded\u003c\/li\u003e\n\u003cli\u003eNo paper hakogaki, no brand pamphlet, no silk wrap — the tomobako is the complete original packaging for this set\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eUses \u0026amp; Display\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTraditional:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYunomi for everyday green tea (sencha, hojicha, genmaicha)\u003c\/li\u003e\n\u003cli\u003eA coordinated 5-piece guest-tea setting (a traditional Japanese household keeps a 5-cup set for tea-service for guests)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eModern crossover:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEspresso \/ cortado cups (gold rim + porcelain = excellent for high-contrast small-format drinks)\u003c\/li\u003e\n\u003cli\u003eSake o-choko style serving for chilled sake (single-portion)\u003c\/li\u003e\n\u003cli\u003eSmall dessert cups for chawanmushi-style steamed savories or matcha-paired wagashi\u003c\/li\u003e\n\u003cli\u003eDisplay: an unusual vertical-stacking tomobako makes this set display-attractive even when stored\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCare for Vintage Gold-Rim Porcelain\u003c\/h3\u003e\n\u003cp\u003eThis is 99-year-old gold-rim Japanese porcelain. Treat accordingly:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHand-wash only with lukewarm water and mild neutral soap; dry with a soft cloth\u003c\/li\u003e\n\u003cli\u003eDo NOT use a dishwasher — high heat and detergent will damage the gold rim and gilt decoration\u003c\/li\u003e\n\u003cli\u003eDo NOT use a microwave — gold and metal-pigment decoration is not microwave-safe at any era\u003c\/li\u003e\n\u003cli\u003eDo NOT subject to thermal shock (no boiling water directly into a cold cup; warm the cup first with a tepid rinse)\u003c\/li\u003e\n\u003cli\u003eStore the cups inside the original tomobako between uses to preserve the box's significance and protect the cups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eReference Notes\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e明治8年 (Meiji 8) = 1875; 昭和2年 (Shōwa 2) = 1927\u003c\/li\u003e\n\u003cli\u003e御湯呑 五客 (Goyunomi Gokyaku) = \"Honorable Tea Cups, Set of 5\"\u003c\/li\u003e\n\u003cli\u003e香蘭社 (Kōransha) = \"Fragrant Orchid Company\"\u003c\/li\u003e\n\u003cli\u003e蘭 (Ran) = orchid (the Kōransha emblem)\u003c\/li\u003e\n\u003cli\u003e赤絵 (Aka-e) = overglaze red enamel (iron oxide)\u003c\/li\u003e\n\u003cli\u003e金彩 (Kinsai) = gilding \/ gold-leaf decoration\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAbout ZenKiln\u003c\/h3\u003e\n\u003cp\u003eA Japan-based curator connecting international collectors with Japan's artisan ceramic tradition. We work closely with the kilns, workshops, and makers featured in our shop — each one disclosed in our About section — and hand-pack every piece in Japan for safe delivery worldwide.\u003c\/p\u003e\n\u003cp\u003e📦 Ships from Japan, hand-packed for safe delivery.\u003c\/p\u003e\n\u003ch3\u003eShipping \u0026amp; Returns Note (Vintage \/ Antique-Line)\u003c\/h3\u003e\n\u003cp\u003eThis is a one-of-one vintage set; we keep only this single set in inventory and cannot reorder. As a disclosed-condition vintage piece, returns are not offered except in the case of transit damage (please send photos within 7 days of delivery). For international orders we recommend adding insured shipping (the gold-rim porcelain is fragile in transit).\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47699175473382,"sku":"ZK-YUNOMI-KORANSHA-ORCHID-1927-SET5","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/6a0f48436f03bf48e8c7f28f9f150b4c_72f5d6f3-53b2-4105-9a11-16da6358556f.png?v=1780209491"},{"product_id":"vintage-fukagawa-seiji-ruri-cobalt-vase-arita-kabin","title":"Vintage Fukagawa Seiji Ruri Cobalt Blue Vase — Lily \u0026 Butterfly Sometsuke, Arita Porcelain Kabin","description":"\u003ctable style=\"width:100%;border-collapse:collapse;font-size:15px;line-height:1.55;margin:0 0 22px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"border-top:1px solid #e7e7e7;border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eForm\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eKabin (花瓶) — pot-form Japanese flower vase, wide mouth, no handle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eSize\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eHeight 20.0 cm (7.9″) · mouth Ø 8.0 cm (3.1″) · foot Ø 9.0 cm (3.5″)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e1,026 g (2.26 lb) vase · 1,564 g (3.45 lb) with tomobako\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eMaterial\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003ePorcelain (磁器 jiki), Arita-yaki lineage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eExterior glaze\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e瑠璃釉 (ruri-yū) deep cobalt-blue ground\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eDecoration\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e染付 (sometsuke) lily \u0026amp; butterfly in white with soft blue shading; 金彩 (kinsai) gold linework + continuous gold rim line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eInterior glaze\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e官窯 (kanyō) white glaze\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eFoot mark\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eStylized Mt. Fuji silhouette above 深川製 in underglaze cobalt\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eSeries\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e官窯染付 (Kanyō Sometsuke) — Fukagawa's imperial-kiln cobalt-and-white line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eMaker\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e深川製磁 Fukagawa Seiji, Arita (est. 1894) — 宮内庁御用達 Imperial Household purveyor since 1910\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eEra\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eLate Shōwa–Heisei, estimated 1980s–2000s (documented vintage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eCondition\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eExcellent — no chips, no hairlines, gold linework intact; unrestored\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eTomobako\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eOriginal paulownia kiribako (22 × 19 × 18.5 cm), signed \u0026amp; stamped\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eVase + original tomobako + Fukagawa leaflet 「官窯染付の魅力」\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eVintage Fukagawa Seiji ruri cobalt kabin — lily \u0026amp; butterfly\u003c\/h3\u003e\n\u003cp\u003eA vintage flower vase (花瓶 \/ \u003cem\u003ekabin\u003c\/em\u003e) by \u003cstrong\u003e深川製磁 Fukagawa Seiji\u003c\/strong\u003e — the Arita porcelain house recognized as a purveyor to the Japanese Imperial Household since 1910 — finished in the workshop's signature \u003cem\u003eruri\u003c\/em\u003e (瑠璃) deep cobalt-blue glaze. Across one face, soft-gradient \u003cem\u003esometsuke\u003c\/em\u003e (染付) paints two open lily blossoms in white with delicate blue shading, joined by a single white butterfly in flight. Fine \u003cem\u003ekinsai\u003c\/em\u003e (金彩) gold outlines the stems, leaf veins, and stamen, and a continuous gold line frames the mouth. The interior is finished in the workshop's white \u003cem\u003ekanyō\u003c\/em\u003e (官窯) glaze.\u003c\/p\u003e\n\u003ch3\u003eMaker \u0026amp; provenance\u003c\/h3\u003e\n\u003cp\u003e• Made by Fukagawa Seiji \/ Arita-yaki in Saga Prefecture, Japan, curated by ZenKiln — a documented vintage piece acquired from a Japan-based sourcing studio.\u003c\/p\u003e\n\u003cp\u003eThe attribution rests on a full five-point closure standard:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnderglaze foot mark — stylized Mt. Fuji above 深川製, in cobalt\u003c\/li\u003e\n\u003cli\u003eTomobako lid calligraphy — 「花瓶」 (\u003cem\u003ekabin\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eTomobako side calligraphy — 「宮内庁御用達 深川製」 (Imperial Household Purveyor · Fukagawa-sei)\u003c\/li\u003e\n\u003cli\u003eTomobako corner red cartouche — 「美術有田焼」 (Bijutsu Arita-yaki \/ Art Arita-ware)\u003c\/li\u003e\n\u003cli\u003eOriginal printed leaflet 「官窯染付の魅力」 with the red seal 「宮内庁御用達 深川製磁 認定」\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMaker attribution is definitive\u003c\/strong\u003e (foot mark + signed tomobako + certified leaflet). \u003cstrong\u003eDating is estimated\u003c\/strong\u003e — late Shōwa to Heisei, roughly the 1980s–2000s — inferred from the leaflet typography, the tomobako style, and the foot-mark format. The Meiji 27 (1894) date in Fukagawa literature is the workshop's founding year, not this vase's production year. Fukagawa Seiji remains an operating Arita porcelain house today.\u003c\/p\u003e\n\u003ch3\u003eAbout the 官窯染付 (Kanyō Sometsuke) series\u003c\/h3\u003e\n\u003cp\u003eThis vase belongs to Fukagawa Seiji's \u003cem\u003eKanyō Sometsuke\u003c\/em\u003e (Imperial-Kiln Sometsuke) line — the workshop's contemporary reading of the Chinese imperial-kiln cobalt-and-white aesthetic. The included leaflet, \u003cem\u003eThe Allure of Kanyō Sometsuke\u003c\/em\u003e, describes the intent: a bright, clear sometsuke rather than a muted one, achieved by selecting superior clay and pushing the firing to the moment the white porcelain body begins to soften. Fukagawa first earned international standing with the Grand Prix at the 1900 Paris Exposition Universelle, and has held Imperial Household purveyor status since 1910.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eExcellent. The ruri glaze surface is clean and glossy, with no chips and no hairlines in the photographed angles; the gold linework and gold rim are intact and unworn. Unrestored and unrefinished. Light age-consistent wear may appear on the unglazed foot ring, and the paulownia tomobako shows the gentle toning typical of age. Additional close-up photos of the mark, foot, or any detail are available on request before purchase.\u003c\/p\u003e\n\u003ch3\u003eDisplay \u0026amp; use\u003c\/h3\u003e\n\u003cp\u003eA presentation-grade \u003cem\u003ekabin\u003c\/em\u003e sized for a tokonoma (alcove), a sideboard, or a quiet hallway focal point. It suits single-stem ikebana — a lily or branch reads beautifully against the ruri ground — as well as cherry, plum, or autumn-leaf arrangements, or display as a closed object. The 8 cm mouth accommodates most ikebana \u003cem\u003ekenzan\u003c\/em\u003e pin-frogs; line the interior with a glass tumbler when using water flowers.\u003c\/p\u003e\n\u003ch3\u003eCare\u003c\/h3\u003e\n\u003cp\u003eHand-wash only with lukewarm water and a soft cloth. Avoid abrasive sponges, dishwashers, microwaves, and prolonged direct sunlight. The kinsai gold linework is sensitive to abrasion.\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e1 × Fukagawa Seiji \u003cem\u003eKanyō Sometsuke\u003c\/em\u003e floral kabin\u003c\/li\u003e\n\u003cli\u003e1 × original signed paulownia tomobako\u003c\/li\u003e\n\u003cli\u003e1 × printed Fukagawa leaflet 「官窯染付の魅力」\u003c\/li\u003e\n\u003cli\u003eHand-packed in archival tissue inside a double-walled carton from Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAbout ZenKiln\u003c\/strong\u003e — A Japan-based curator connecting international collectors with Japan's artisan ceramic tradition. We work closely with the kilns, workshops, and makers featured in our shop — each one disclosed in our About section — and hand-pack every piece in Japan for safe delivery worldwide.\u003c\/p\u003e\n\u003cp\u003e📦 Ships from Japan, hand-packed for safe delivery.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47725591658726,"sku":"ZK-VASE-FKG-RURI-001","price":258.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/6a0f48436f03bf48e8c7f28f9f150b4c_1bdf3fef-3455-4c6d-944a-b13043c9145b.png?v=1780203701"},{"product_id":"vintage-fukagawa-seiji-kanyo-sometsuke-landscape-vase-arita-kabin","title":"Vintage Fukagawa Seiji White Porcelain Vase — Kanyō Sometsuke Blue Landscape, Arita Squat Kabin","description":"\u003ctable style=\"width:100%;border-collapse:collapse;font-size:15px;line-height:1.55;margin:0 0 22px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"border-top:1px solid #e7e7e7;border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eForm\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eHentsubo-gata kabin (扁壺型花瓶) — squat, flattened-sphere flower vase, narrow mouth\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eSize\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eHeight 17.0 cm (6.7″) · mouth Ø 6.5 cm (2.6″) · foot Ø 15.0 cm (5.9″)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e2,144 g (4.73 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eMaterial\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eWhite porcelain (磁器 jiki), Arita-yaki lineage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eDecoration\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e染付 (sometsuke) soft blue mountain-mist landscape band, underglaze — pale-blue ridges fading into white\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eGlaze\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eClean white porcelain ground, glossy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eFoot mark\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eMt. Fuji silhouette above 「官窯染付」 (Kanyō Sometsuke) series mark, underglaze cobalt\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eSeries\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e官窯染付 (Kanyō Sometsuke) — Fukagawa's imperial-kiln cobalt-and-white line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eMaker\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e深川製磁 Fukagawa Seiji, Arita (est. 1894) — 宮内庁御用達 Imperial Household purveyor since 1910\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eEra\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eLate Shōwa–early Heisei, estimated mid-1980s–mid-1990s (documented vintage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eCondition\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eExcellent — no chips, no hairlines; unrestored\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eTomobako\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eOriginal paulownia kiribako (27 × 26.5 × 19.5 cm), signed \u0026amp; stamped\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eVase + tomobako + leaflet 「官窯染付の魅力」 + brand brochure 「富士のあるべ」\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eVintage Fukagawa Seiji white-porcelain kabin — Kanyō Sometsuke landscape\u003c\/h3\u003e\n\u003cp\u003eA squat, flattened-sphere flower vase (扁壺型花瓶 \/ \u003cem\u003ehentsubo-gata kabin\u003c\/em\u003e) by \u003cstrong\u003e深川製磁 Fukagawa Seiji\u003c\/strong\u003e — quieter and more modernist than the workshop's full-cobalt pieces. The body is clean white porcelain, brushed only at the lower band with a soft, abstract \u003cem\u003esometsuke\u003c\/em\u003e (染付) wash that reads as a mountain-mist landscape — pale-blue ridges fading upward into white. The narrow mouth (6.5 cm) suits a single-stem ikebana arrangement; the broad foot (15 cm) gives the form a low, stable visual gravity that anchors a tokonoma or sideboard.\u003c\/p\u003e\n\u003ch3\u003eA \"Kanyō Sometsuke\" series mark — not the common brand mark\u003c\/h3\u003e\n\u003cp\u003eThe vase carries a specific underglaze foot mark that sets it apart from standard Fukagawa output: a stylized Mt. Fuji silhouette above 「官窯染付」 (\u003cem\u003eKanyō Sometsuke\u003c\/em\u003e) — the series mark itself, used on dedicated 官窯染付 production rather than the workshop's more common 「深川製」 general mark. \u003cem\u003eKanyō Sometsuke\u003c\/em\u003e is Fukagawa's contemporary reading of the Chinese imperial-kiln cobalt-and-white aesthetic, named in the workshop's own literature alongside its other signature glaze families.\u003c\/p\u003e\n\u003ch3\u003eMaker \u0026amp; provenance\u003c\/h3\u003e\n\u003cp\u003e• Made by Fukagawa Seiji \/ Arita-yaki in Saga Prefecture, Japan, curated by ZenKiln — a documented vintage piece acquired from a Japan-based sourcing studio.\u003c\/p\u003e\n\u003cp\u003eThe attribution rests on an unusually full closure standard — seven points, including an expanded brand-history brochure not always packed with smaller pieces:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnderglaze foot mark — Mt. Fuji + 「官窯染付」 series mark\u003c\/li\u003e\n\u003cli\u003eTomobako lid — 「花瓶」 (\u003cem\u003ekabin\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eTomobako side — 「宮内庁御用達 深川製」 (Imperial Household Purveyor · Fukagawa-sei)\u003c\/li\u003e\n\u003cli\u003eTomobako corner red cartouche — 「美術有田焼」 (Bijutsu Arita-yaki)\u003c\/li\u003e\n\u003cli\u003eTomobako bottom red square — 「深川 謹製」 house seal\u003c\/li\u003e\n\u003cli\u003eLeaflet 「官窯染付の魅力」 (The Allure of Kanyō Sometsuke) with the certification seal 「宮内庁御用達 深川製磁 認定」\u003c\/li\u003e\n\u003cli\u003eFull-color fold-out brochure 「富士のあるべ」 — Mt. Fuji cover, an aerial photograph of the 西有田 (Nishi-Arita) factory, the national branch listing, the house chronology, and the signature of company president 深川昭 (Akira Fukagawa)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMaker attribution is definitive\u003c\/strong\u003e (series foot mark + signed tomobako + certified leaflet + brand brochure). \u003cstrong\u003eDating is estimated\u003c\/strong\u003e — late Shōwa to early Heisei, roughly the mid-1980s to mid-1990s — narrowed by the Telex (テレックス) numbers still printed on the brochure's branch-address sheet, a business standard largely retired by the mid-1990s. The historical dates in the brochure (1650, 1894, 1904, 1910, 1962) describe the brand's history, not this vase's production year. Fukagawa Seiji remains an operating Arita porcelain house today.\u003c\/p\u003e\n\u003ch3\u003eAbout Fukagawa Seiji\u003c\/h3\u003e\n\u003cp\u003ePer the included brochure: the Fukagawa family first lit a kiln in Arita in Keian 3 (1650); 深川忠次 (Tadatsugu Fukagawa) established the modern Fukagawa Seiji house in Meiji 27 (1894), adopting the 富士流水 (Mt. Fuji + flowing water) back-mark as a guarantee of quality. The house won a gold medal at the 1904 St. Louis World's Fair and was designated purveyor to the Imperial Household Agency in 1910 — a status it still holds.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eExcellent. The white glaze surface is clean and glossy, with no chips and no hairlines in the photographed angles; the underglaze sometsuke is crisp. Unrestored and unrefinished. Light age-consistent wear may appear on the foot ring, and the paulownia tomobako shows the gentle toning typical of age. Additional close-up photos of the mark, foot, or any detail are available on request before purchase.\u003c\/p\u003e\n\u003ch3\u003eDisplay \u0026amp; use\u003c\/h3\u003e\n\u003cp\u003eThe squat, low-shouldered form reads quietly in a modernist or Japandi interior — a tokonoma vignette, a console beside a single chair, a fireplace mantel. The 6.5 cm mouth holds a single tall stem (lily, eucalyptus, branch ikebana) or a small \u003cem\u003ekenzan\u003c\/em\u003e pin-frog for a low-water arrangement, and the ~2.1 kg base keeps the vessel stable under taller cuttings.\u003c\/p\u003e\n\u003ch3\u003eCare\u003c\/h3\u003e\n\u003cp\u003eHand-wash only with lukewarm water and a soft cloth. Avoid abrasive sponges, dishwashers, microwaves, and prolonged direct sunlight. The sometsuke wash is underglaze and stable to normal handling; if arranging fresh flowers, line the interior with a glass tumbler to protect the glaze from mineral residue.\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e1 × Fukagawa Seiji \u003cem\u003eKanyō Sometsuke\u003c\/em\u003e squat kabin\u003c\/li\u003e\n\u003cli\u003e1 × original signed paulownia tomobako\u003c\/li\u003e\n\u003cli\u003e1 × printed Fukagawa leaflet 「官窯染付の魅力」\u003c\/li\u003e\n\u003cli\u003e1 × fold-out brand-history brochure 「富士のあるべ」 (with president's signature)\u003c\/li\u003e\n\u003cli\u003eHand-packed in archival tissue inside a double-walled carton from Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAbout ZenKiln\u003c\/strong\u003e — A Japan-based curator connecting international collectors with Japan's artisan ceramic tradition. We work closely with the kilns, workshops, and makers featured in our shop — each one disclosed in our About section — and hand-pack every piece in Japan for safe delivery worldwide.\u003c\/p\u003e\n\u003cp\u003e📦 Ships from Japan, hand-packed for safe delivery.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47725597819110,"sku":"ZK-VASE-FKG-LAND-001","price":266.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/6a0f48436f03bf48e8c7f28f9f150b4c_1fc942b7-1a20-48b3-8b66-9d89f5419a75.png?v=1780208379"},{"product_id":"vintage-koransha-ruri-cobalt-crane-vase-arita-kabin","title":"Vintage Kōransha Ruri Cobalt Crane Vase — Gold \u0026 Silver Tsuru Pair, Arita Porcelain Kabin","description":"\u003ctable style=\"width:100%;border-collapse:collapse;font-size:15px;line-height:1.55;margin:0 0 22px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"border-top:1px solid #e7e7e7;border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eForm\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eKabin (花瓶) — tall baluster presentation flower vase, flared rim\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eSize\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eHeight 32.0 cm (12.6″) · mouth Ø 8.5 cm (3.3″) · foot Ø 10.5 cm (4.1″)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eNot published by the maker — will be weighed before dispatch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eMaterial\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003ePorcelain (磁器 jiki), Arita-yaki\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eExterior glaze\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e瑠璃釉 (ruri-yū) deep midnight cobalt-blue ground\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eDecoration\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e金彩 (kinsai) married-pair cranes (夫婦鶴 fūfu-zuru) — one gold-gilt, one silver-platinum, each flight feather engraved; gold rim line, neck cusp frieze, foot band\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eInterior\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eWhite porcelain, visible at the mouth and gold-bordered foot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eFoot mark\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e蘭花 (orchid) emblem above 「香蘭社」 in underglaze cobalt\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eMotif\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e夫婦鶴 (fūfu-zuru) married-pair crane — longevity, fidelity, good fortune\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eMaker\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003e香蘭社 Kōransha, Arita (founded 1879) — parent house of Fukagawa Seiji; Imperial Household supplier since the Meiji era\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eEra\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eLate Shōwa–Heisei, estimated 1980s–2000s (documented vintage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eCondition\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eExcellent — no chips, no hairlines; gold \u0026amp; silver intact; unrestored\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eTomobako\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eOriginal paulownia kiribako (tall, dovetail-jointed), signed \u0026amp; stamped\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e7e7e7;\"\u003e\n\u003ctd style=\"padding:11px 14px;width:32%;color:#8a8a8a;font-size:12px;letter-spacing:.07em;text-transform:uppercase;vertical-align:top;\"\u003eIncluded\u003c\/td\u003e\n\u003ctd style=\"padding:11px 14px;vertical-align:top;color:#222;\"\u003eVase + original signed tomobako\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eVintage Koransha ruri-cobalt crane kabin — gold \u0026amp; silver fūfu-zuru\u003c\/h3\u003e\n\u003cp\u003eA tall, presentation-grade baluster vase (花瓶 \/ \u003cem\u003ekabin\u003c\/em\u003e) by \u003cstrong\u003e香蘭社 Kōransha\u003c\/strong\u003e — one of the oldest continuously-operating Arita porcelain houses — finished in a deep \u003cem\u003eruri\u003c\/em\u003e (瑠璃) cobalt glaze brought to a true midnight intensity, the white porcelain showing only at the mouth and through the gold-bordered foot. Across the body, two cranes (鶴 \u003cem\u003etsuru\u003c\/em\u003e) are worked in elaborate \u003cem\u003ekinsai\u003c\/em\u003e (金彩): one gilded fully in gold, the other in silver-platinum, each flight feather individually engraved through the metal in the high-precision style for which Kōransha is recognized. A continuous gold line frames the mouth; an arch-and-dot frieze of fine gold cusps runs the neck, and the pedestal foot carries a matching gold band.\u003c\/p\u003e\n\u003ch3\u003eMaker \u0026amp; provenance\u003c\/h3\u003e\n\u003cp\u003e• Made by Koransha \/ Arita-yaki in Saga Prefecture, Japan, curated by ZenKiln — a documented vintage piece acquired from a Japan-based sourcing studio.\u003c\/p\u003e\n\u003cp\u003eAttribution rests on a three-point closure standard:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnderglaze foot mark — a stylized 蘭花 (orchid) emblem above 「香蘭社」 in cobalt\u003c\/li\u003e\n\u003cli\u003eTomobako lid calligraphy — 「花瓶」 (\u003cem\u003ekabin\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eTomobako side calligraphy — 「香蘭社」 with the red house seal\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMaker attribution is definitive\u003c\/strong\u003e (orchid foot mark + signed tomobako). \u003cstrong\u003eDating is estimated\u003c\/strong\u003e — late Shōwa to Heisei, roughly the 1980s–2000s — inferred from the tomobako condition, the decoration style, and the gold-application technique consistent with Kōransha production from that window. The 1879 founding date in the house's history is its founding year, not this vase's production year.\u003c\/p\u003e\n\u003ch3\u003eAbout Kōransha (香蘭社)\u003c\/h3\u003e\n\u003cp\u003eKōransha was founded in 1879 in Arita by 八代 深川栄左衛門 (the 8th-generation Fukagawa Eizaemon) together with other Arita masters as the first jointly-incorporated Arita export-porcelain company; it took its name and house mark from the orchid blossom (蘭花). The house has supplied the Imperial Household since the Meiji era and remains in operation today. In 1894 the founder's second son, 深川忠次 (Tadatsugu Fukagawa), left Kōransha to establish 深川製磁 Fukagawa Seiji — making Kōransha the elder \"parent\" house from which the now better-known Fukagawa Seiji branched. This vase is from the original Kōransha lineage.\u003c\/p\u003e\n\u003ch3\u003eThe crane motif\u003c\/h3\u003e\n\u003cp\u003eThe two cranes read as a \u003cem\u003efūfu-zuru\u003c\/em\u003e (夫婦鶴), a married-pair crane. In Japanese decorative art the crane is the enduring symbol of longevity, marital fidelity, and good fortune — which makes the piece especially suited to a wedding, anniversary, or milestone gift, or simply to a corner that wants something of stature.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eExcellent. The cobalt glaze surface is clean and glossy, with no chips and no hairlines in the photographed angles; the gold linework and silver gilding are intact and unworn. Unrestored and unrefinished. Additional close-up photos of the mark, foot, or any detail are available on request before purchase.\u003c\/p\u003e\n\u003ch3\u003eDisplay \u0026amp; use\u003c\/h3\u003e\n\u003cp\u003eA statement vase for a tokonoma alcove, a formal-room console, a fireplace mantel, or a curated bookshelf. The narrow mouth (8.5 cm) holds a single tall stem — lily, peony, branch ikebana — or a small \u003cem\u003ekenzan\u003c\/em\u003e pin-frog for low-water work, but at 32 cm the vase is a presentation piece first and an arrangement vessel second.\u003c\/p\u003e\n\u003ch3\u003eCare\u003c\/h3\u003e\n\u003cp\u003eHand-wash only with lukewarm water and a soft cloth. Avoid abrasive sponges, dishwashers, microwaves, and direct sunlight. The kinsai gold and silver are sensitive to friction — do not scrub. If arranging fresh flowers, line the interior with a glass tumbler to protect the glaze from mineral residue.\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e1 × Kōransha ruri-cobalt presentation kabin\u003c\/li\u003e\n\u003cli\u003e1 × original signed paulownia tomobako\u003c\/li\u003e\n\u003cli\u003eHand-packed in archival tissue inside a double-walled carton from Japan; insured in transit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAbout ZenKiln\u003c\/strong\u003e — A Japan-based curator connecting international collectors with Japan's artisan ceramic tradition. We work closely with the kilns, workshops, and makers featured in our shop — each one disclosed in our About section — and hand-pack every piece in Japan for safe delivery worldwide.\u003c\/p\u003e\n\u003cp\u003e📦 Ships from Japan, hand-packed for safe delivery.\u003c\/p\u003e","brand":"ZenKiln","offers":[{"title":"Default Title","offer_id":47725603782886,"sku":"ZK-VASE-KOR-CRANE-001","price":1588.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/5392\/5350\/files\/6a0f48436f03bf48e8c7f28f9f150b4c_5885b087-2b13-4c82-9940-4d63adb06dab.png?v=1780204068"}],"url":"https:\/\/zen-kiln.com\/en-cz\/collections\/material-porcelain.oembed","provider":"ZenKiln","version":"1.0","type":"link"}